2022 | Color | 165:00 On the French Polynesian island of Tahiti, the High Commissioner of the Republic and French government official is a calculating man with flawless manners. His rather broad interpretation of his role leads him to navigate both the high-end “establishment” and shady venues where he mingles with the locals. The sighting of a submarine could herald the return of French nuclear testing and trigger serious consequences. Country: Alemania, España, Francia, Portugal Direction: Serra; Albert Script: Serra; Albert, Pinteaux; Baptiste Production: Triola; Montse, Bardet; Pierre-Olivier, Serra; Albert Photography: Tort; Artur Sound: Ribas; Jordi, Laurent; Banjamin, Tarrière; Bruno Music: Verdaguer; Marc Cast:Magimel; Benoît, Susini; Marc, Melo; Alexandre, Mahagafanau; Pahoa, Pambrun; Matahi, López; Sergi Participation year at FICM: 2022
2022 | Color | 165:00 On the French Polynesian island of Tahiti, the High Commissioner of the Republic and French government official is a calculating man with flawless manners. His rather broad interpretation of his role leads him to navigate both the high-end “establishment” and shady venues where he mingles with the locals. The sighting of a submarine could herald the return of French nuclear testing and trigger serious consequences. Country: Alemania, España, Francia, Portugal Direction: Serra; Albert Script: Serra; Albert, Pinteaux; Baptiste Production: Triola; Montse, Bardet; Pierre-Olivier, Serra; Albert Photography: Tort; Artur Sound: Ribas; Jordi, Laurent; Banjamin, Tarrière; Bruno Music: Verdaguer; Marc Cast:Magimel; Benoît, Susini; Marc, Melo; Alexandre, Mahagafanau; Pahoa, Pambrun; Matahi, López; Sergi Participation year at FICM: 2022
The Death of Louis XIV It is August of 1715 and King Louis XIV is unwell. It all begins with a subtle pain in his leg, but little by little he starts experiencing intense fevers that interrupt his sleep. The King loses his appetite and starts to weaken. This is the start of the long agony of one the greatest French monarchs. See More
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“Where and Who We Are Changes as Life Shapes Us With Blows and God Dictates the Form”: Guillermo del Toro's Message Ahead of FRANKENSTEIN'S Premiere at the 23rd FICM 10 · 15 · 25
Technique May Change, But Not Ethics: Javier Espada Presents Memoria de Los Olvidados at the 23rd FICM 10 · 15 · 25