2003 | Color | 7 min It´s Never Too Late. Any given day is a good one to start to truly live. Chava tries to meet the expectations of his demanding father, but he does not accomplish this and returns from the dead to try again Country: México Direction: Pacheco Sosa; Emilio G. Script: Roberto Hernández; Luis, G. Pacheco; Emilio Production: González Suárez; Marisol Photography: Rivera Planter; Ernesto Sound: Domínguez Gasca; José Art direction: Ángel Tavera; Miguel Participation year at FICM: 2003
2003 | Color | 7 min It´s Never Too Late. Any given day is a good one to start to truly live. Chava tries to meet the expectations of his demanding father, but he does not accomplish this and returns from the dead to try again Country: México Direction: Pacheco Sosa; Emilio G. Script: Roberto Hernández; Luis, G. Pacheco; Emilio Production: González Suárez; Marisol Photography: Rivera Planter; Ernesto Sound: Domínguez Gasca; José Art direction: Ángel Tavera; Miguel Participation year at FICM: 2003
The Conformist In Fascist Italy in 1938, Marcello Clerici is eager to be accepted into the social circles of the regime, which he admires. His opportunity arises when he is ordered to track down, in Paris, a former professor of his—now an opponent of Mussolini—and assassinate him. See More
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
The Michoacan author José Rubén Romero 09 · 25 · 26 EVEN DWARFS STARTED SMALL: Herzog and the existence of the extraordinary 09 · 17 · 26 Tippett Studio and Paul Verhoeven: the end of an era between eroticism and science fiction 09 · 17 · 26 RIO, ZONA NORTE: reasons to smile 09 · 09 · 26
Tippett Studio and Paul Verhoeven: the end of an era between eroticism and science fiction 09 · 17 · 26