2008 | Color | 12 min A group of Chinese Mexican teenagers barricade themselves inside an abandoned building in Tijuana. As the outside world is closed off and they sit entrapped, their surroundings and actions become a powerful commentary on their own social existence. Country: México Direction: de la Torre; Sergio Production: de la Torre; Sergio Photography: Lopez; Jair Sound: Kubic; Chris Cast:Dalong; Liang, Meiyan; Liang, Yanling; Cen, Yanhong; Wu, Wenfeng; Wu, Yanqing; Wu Art direction: Brown; Sergio Participation year at FICM: 2009
2008 | Color | 12 min A group of Chinese Mexican teenagers barricade themselves inside an abandoned building in Tijuana. As the outside world is closed off and they sit entrapped, their surroundings and actions become a powerful commentary on their own social existence. Country: México Direction: de la Torre; Sergio Production: de la Torre; Sergio Photography: Lopez; Jair Sound: Kubic; Chris Cast:Dalong; Liang, Meiyan; Liang, Yanling; Cen, Yanhong; Wu, Wenfeng; Wu, Yanqing; Wu Art direction: Brown; Sergio Participation year at FICM: 2009
Maquilápolis, City of Factories Workers in Tijuana´s multinational factories confront labor violations, environmental devastation, and urban chaos. Carmen and Lourdes aim beyond the daily struggle for survival and seek to organize their community to strive for positive changes in their lives. They also use video cameras to document how globalization has transformed their city and to share their hopes for the future. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
