2020 | Color | 04:18 A portrait of the cycle of life on the Michoacán coast. Country: México Direction: Flores Correa; César Script: Ayala; Paulina, Flores Correa; César Production: Carranza Ireta; Jorge Photography: Flores Correa; César Sound: Flores Correa; César Music: Blear Moon Art direction: Jorge Carranza Ireta Participation year at FICM: 2020
2020 | Color | 04:18 A portrait of the cycle of life on the Michoacán coast. Country: México Direction: Flores Correa; César Script: Ayala; Paulina, Flores Correa; César Production: Carranza Ireta; Jorge Photography: Flores Correa; César Sound: Flores Correa; César Music: Blear Moon Art direction: Jorge Carranza Ireta Participation year at FICM: 2020
The Path We Are An intimate journey where a bicycle becomes much more than a means of transportation: it’s an extension of the body, a declaration of principles, and, for many, a vital necessity. Through the portraits of five characters, this documentary reveals the many reasons why they pedal every day. See More
A field that no longer smells of flowers In the municipality of Villa Guerrero, State of Mexico, flower growers and their families live with the illusion of better times; meanwhile, they live every day in a field that no longer smells of flowers... See More
The light that fills the world Originating in Europe in the sixteenth century, the Mennonites are a Protestant religious sect, related to the Amish. Rather than compromise their way of life, they have continually been forced to migrate around the world to maintain their freedom to live as they choose and they have found in Mexico, a home. See More
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26 “One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26 Spanish Director Pedro Aguilera Presented LADIES' HUNTING PARTY at the 24th FICM 10 · 22 · 26 Tribute to Florence Delay at the 24th FICM: Emilio Maillé Presents LOS AÑOS ARRUZA 10 · 22 · 26
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26
“One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26
