1995 | Color | 128 min The film traces an immigrant family?s trials, tribulations, tragedies and triumphs over a period of three generations. Country: Estados Unidos Direction: Nava; Gregory Script: Nava; Gregory, Thomas; Anna Production: Thomas; Anna, East; Guy, Law; Lindsay, Luddy; Tom, Molina; Sergio, Ford Coppola; Francis Photography: Lachman; Edward Sound: Wilde; Marian Music: Mckenzie; Mark Cast:Smits; Jimmy, Morales; Esai, James Olmos; Edward Art direction: Lustig; Adam, Myers; Tony Participation year at FICM: 2012
1995 | Color | 128 min The film traces an immigrant family?s trials, tribulations, tragedies and triumphs over a period of three generations. Country: Estados Unidos Direction: Nava; Gregory Script: Nava; Gregory, Thomas; Anna Production: Thomas; Anna, East; Guy, Law; Lindsay, Luddy; Tom, Molina; Sergio, Ford Coppola; Francis Photography: Lachman; Edward Sound: Wilde; Marian Music: Mckenzie; Mark Cast:Smits; Jimmy, Morales; Esai, James Olmos; Edward Art direction: Lustig; Adam, Myers; Tony Participation year at FICM: 2012
Selena Based on the life of singer Selena Quintanilla-Perez. The film follows the dizzying rise of the Latina singer: from the start of her career at age ten to her tragic death at 23, killed by her personal secretary and the president of her fan club. See More
El Norte After the army kills their parents, Rosa and Enrique decide to flee their remote Maya village and travel north in search of a better and safer life. See More
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26 “One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26 A Critical Look at the Artistic Community: Nicolás Pereda Presents LO DEMÁS ES RUIDO at the 24th FICM 10 · 22 · 26 Jean Vivo's L'ATALANTE Screened at the 24th FICM 10 · 22 · 26
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26
“One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26
A Critical Look at the Artistic Community: Nicolás Pereda Presents LO DEMÁS ES RUIDO at the 24th FICM 10 · 22 · 26
