2020 | Color | 90:25 This is a portrait of painter Lucinda Urrusti (Melilla, Spanish Morocco, 1926), who came to Mexico in 1939 with her parents and brother as refugees of the Spanish Civil War. For Lucinda, what matters most in life is art and her family. Country: México Direction: Urrusti Alonso; Juan Francisco Script: Urrusti Alonso; Juan Francisco Production: Urrusti Alonso; Juan Francisco Photography: Luna; Mario, Ahumada de Mendoza; Argel, Herrera; Eduardo Sound: Sánchez Padillla; Jesús Felipe Music: Urrusti; Juanra Cast:Espinosa Campos; Eduardo, Moreno Villarreal; Jaime, Urrusti; Lucinda, Felguérez; Manuel, Urrusti; Mariau Participation year at FICM: 2020
2020 | Color | 90:25 This is a portrait of painter Lucinda Urrusti (Melilla, Spanish Morocco, 1926), who came to Mexico in 1939 with her parents and brother as refugees of the Spanish Civil War. For Lucinda, what matters most in life is art and her family. Country: México Direction: Urrusti Alonso; Juan Francisco Script: Urrusti Alonso; Juan Francisco Production: Urrusti Alonso; Juan Francisco Photography: Luna; Mario, Ahumada de Mendoza; Argel, Herrera; Eduardo Sound: Sánchez Padillla; Jesús Felipe Music: Urrusti; Juanra Cast:Espinosa Campos; Eduardo, Moreno Villarreal; Jaime, Urrusti; Lucinda, Felguérez; Manuel, Urrusti; Mariau Participation year at FICM: 2020
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
