1955 | B/N | 100 One stormy night, Ivón and Hugo—perhaps accompanied by Hugo’s son, Carlos—arrive at a hotel in Gijón. They go out to see the rough sea but, soon thereafter, Ivón returns, looking for help because the boy has been dragged out to sea. The body doesn’t turn up though, and the commissioner in charge of the case discovers that many suspicious things had happened at the hotel in the weeks prior to Ivón and Hugo’s arrival. Country: España Direction: Nieves Conde; José Antonio Script: Blanco; Carlos Production: Carrillo; Rafael Photography: Sempere; Francisco Sound: Carvajal; Alfonso Music: Asins Arbó; Miguel Cast:Penella; Emma Art direction: Pérez Espinosa; Luis, Parrondo; Gil Participation year at FICM: 2014
1955 | B/N | 100 One stormy night, Ivón and Hugo—perhaps accompanied by Hugo’s son, Carlos—arrive at a hotel in Gijón. They go out to see the rough sea but, soon thereafter, Ivón returns, looking for help because the boy has been dragged out to sea. The body doesn’t turn up though, and the commissioner in charge of the case discovers that many suspicious things had happened at the hotel in the weeks prior to Ivón and Hugo’s arrival. Country: España Direction: Nieves Conde; José Antonio Script: Blanco; Carlos Production: Carrillo; Rafael Photography: Sempere; Francisco Sound: Carvajal; Alfonso Music: Asins Arbó; Miguel Cast:Penella; Emma Art direction: Pérez Espinosa; Luis, Parrondo; Gil Participation year at FICM: 2014
The Tenant One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties. See More
Furrows The Perezes take their three children and leave the country for a better life in the capital. With little money in hand, they set up in Madrid thanks to Pili, an old friend of the eldest son, who puts them up for money. Each day in the city is a struggle to get by—a very different life from the prosperity they’d imagined. Their hopes to make it respectably are reduced to failed dreams that transform the family members and end up corrupting them. See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
