2016 | Color | 12:33 Falconry is an immateriality that has allowed the relationship between man and birds of prey for centuries. The expedition follows a man and his rapacious through mythical forests of Mexico in a constant game between life and death where nature is unchangeable. Direction: Flores Correa; César Script: Flores Correa; César Production: Flores Correa; César, Webber Rebollar; Mónica Photography: Flores Correa; César Sound: García; Estefanía, Ochoa López; Alejandro Guillermo Music: Fernández Anguiano; Salomón Participation year at FICM: 2016
2016 | Color | 12:33 Falconry is an immateriality that has allowed the relationship between man and birds of prey for centuries. The expedition follows a man and his rapacious through mythical forests of Mexico in a constant game between life and death where nature is unchangeable. Direction: Flores Correa; César Script: Flores Correa; César Production: Flores Correa; César, Webber Rebollar; Mónica Photography: Flores Correa; César Sound: García; Estefanía, Ochoa López; Alejandro Guillermo Music: Fernández Anguiano; Salomón Participation year at FICM: 2016
The Path We Are An intimate journey where a bicycle becomes much more than a means of transportation: it’s an extension of the body, a declaration of principles, and, for many, a vital necessity. Through the portraits of five characters, this documentary reveals the many reasons why they pedal every day. See More
A field that no longer smells of flowers In the municipality of Villa Guerrero, State of Mexico, flower growers and their families live with the illusion of better times; meanwhile, they live every day in a field that no longer smells of flowers... See More
The light that fills the world Originating in Europe in the sixteenth century, the Mennonites are a Protestant religious sect, related to the Amish. Rather than compromise their way of life, they have continually been forced to migrate around the world to maintain their freedom to live as they choose and they have found in Mexico, a home. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26
