2011 | Color | 112 min This is a film about the resistance of a people who are preparing to defend themselves against an impending war. A celebration of hope represented by a community that will not give up. Country: México Direction: Sepúlveda Martínez; Juan Manuel Script: Sepúlveda Martínez; Juan Manuel Production: Sepúlveda Martínez; Juan Manuel Photography: Sepúlveda Martínez; Juan Manuel Sound: Rommel Tuñón; José Participation year at FICM: 2011
2011 | Color | 112 min This is a film about the resistance of a people who are preparing to defend themselves against an impending war. A celebration of hope represented by a community that will not give up. Country: México Direction: Sepúlveda Martínez; Juan Manuel Script: Sepúlveda Martínez; Juan Manuel Production: Sepúlveda Martínez; Juan Manuel Photography: Sepúlveda Martínez; Juan Manuel Sound: Rommel Tuñón; José Participation year at FICM: 2011
People of the Crimson Evening Great Altar Desert, Mexico-US border. On one of the most dangerous and highly militarized borders in the world, the binational Tohono O’odham community, indigenous inhabitants of the desert, experience their everyday nomadism as a form of resistance against the multiple threats that assail them. See More
The Endless Frontier Seen through the eyes of the men and women who migrate in search of a better life, The Endless Frontier is a story of will and hope during a journey that could become endless. See More
Under the Ground Under the Ground Through this depiction of a day in the life of three miners from the Real del Monte and Pachuca districts, we learn about their difficult working and living conditions. See More
Ana Cristina Barragán's HIEDRA Presented at the 23rd FICM 10 · 14 · 25 Olivia Harrison Presented the Documentary BEATLES '64 10 · 14 · 25 Emilio Maillé: LA NOCHE ETERNA DEL BABY’O Was Like Entering a World That is Not My World 10 · 14 · 25 NO ME SIGAS World Premiere at the 23rd FICM 10 · 14 · 25
Emilio Maillé: LA NOCHE ETERNA DEL BABY’O Was Like Entering a World That is Not My World 10 · 14 · 25