2018 | Color | 16:51 Hipolita works in Samuel's house. Her growing class-consciousness and the invasion of her privacy lead Hipolita to take control of her work and her life. Direction: Cruz Villalba; Pablo Script: Cruz Villalba; Pablo Production: Islas; Hiram, Valender; Christopher, Cruz Villalba; Pablo Photography: MFCH Sound: Hollander; Américo Cast:Lieberman; Jacobo, Aquino Gaspar; Ana Laura Participation year at FICM: 2018
2018 | Color | 16:51 Hipolita works in Samuel's house. Her growing class-consciousness and the invasion of her privacy lead Hipolita to take control of her work and her life. Direction: Cruz Villalba; Pablo Script: Cruz Villalba; Pablo Production: Islas; Hiram, Valender; Christopher, Cruz Villalba; Pablo Photography: MFCH Sound: Hollander; Américo Cast:Lieberman; Jacobo, Aquino Gaspar; Ana Laura Participation year at FICM: 2018
The Cold Leftovers The Vampire of Capital follows the lives of a young couple and their baby in a gridlocked megalopolis. Mutual suspicions of infidelity, the alienating routine and insolvency are resolved in a dynamic montage of contrasts and contradictions, expressed in different cinematographic formats in the Kino-eye style. See More
The Capsize Five oil tankers went aground in the coasts of the Gulf of Mexico. Thousands of oil workers lost their jobs, their payments and their rights. The platforms threaten to destroy the densest mangrove zone in the country but a couple of siblings defend the rivers. The effects of capitalism are manifested on an island of the Gulf of Mexico See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
