1947 | B/N | 108 min Nicholas Nickleby is a young man cast adrift in a morally ambiguous world, where those who should offer the greatest affection and protection too often turn out to be the most cynical and unrepentant exploiters. Dispatched to a squalid school for orphans by his treacherous uncle, Ralph Nickleby, Nicholas befriends the gentle, crippled Smike and resolves to take charge of his destiny. Country: Reino Unido Direction: Cavalcanti; Alberto Script: Dickens; Charles, Dighton; John Production: Balcon; Michael Photography: Dines; Gordon Sound: Dalby; Stephen, Williams; Eric Music: Baron Berners; 14th Cast:Merrall; Mary, Seyler; Athene, Drayton; Alfred, Hope; Vida, Hermitage; Roy, Woods; Aubrey, Hayes; Patricia, Fletcher; Cyril, Compton; Fay, Thorndike; Sybil, Ann Howes; Sally, Bond; Derek, Miles; Bernard, Nesbitt; Cathleen Art direction: Relph; Michael Participation year at FICM: 2012
1947 | B/N | 108 min Nicholas Nickleby is a young man cast adrift in a morally ambiguous world, where those who should offer the greatest affection and protection too often turn out to be the most cynical and unrepentant exploiters. Dispatched to a squalid school for orphans by his treacherous uncle, Ralph Nickleby, Nicholas befriends the gentle, crippled Smike and resolves to take charge of his destiny. Country: Reino Unido Direction: Cavalcanti; Alberto Script: Dickens; Charles, Dighton; John Production: Balcon; Michael Photography: Dines; Gordon Sound: Dalby; Stephen, Williams; Eric Music: Baron Berners; 14th Cast:Merrall; Mary, Seyler; Athene, Drayton; Alfred, Hope; Vida, Hermitage; Roy, Woods; Aubrey, Hayes; Patricia, Fletcher; Cyril, Compton; Fay, Thorndike; Sybil, Ann Howes; Sally, Bond; Derek, Miles; Bernard, Nesbitt; Cathleen Art direction: Relph; Michael Participation year at FICM: 2012
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
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El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
