2003 | Color | 76 min The Passion of María Elena. The son of María Elena, a Rarámuri woman from the Tarahumara mountains, is killed when he is run over by a white woman who is declared not responsible. Because of this María Elena moves to the city of Chihuahua. María Elena has her own way of ordering the world so as to get on with her life Country: México Direction: Moncada Rodríguez; Mercedes Script: Moncada Rodríguez; Mercedes Production: Moncada Rodríguez; Mercedes, Morón Tejero; Javier Photography: Morón Tejero; Javier Sound: Larson; Samuel Music: Café Tacuba;, Chávez; Martín, Larson; Samuel Participation year at FICM: 2003
2003 | Color | 76 min The Passion of María Elena. The son of María Elena, a Rarámuri woman from the Tarahumara mountains, is killed when he is run over by a white woman who is declared not responsible. Because of this María Elena moves to the city of Chihuahua. María Elena has her own way of ordering the world so as to get on with her life Country: México Direction: Moncada Rodríguez; Mercedes Script: Moncada Rodríguez; Mercedes Production: Moncada Rodríguez; Mercedes, Morón Tejero; Javier Photography: Morón Tejero; Javier Sound: Larson; Samuel Music: Café Tacuba;, Chávez; Martín, Larson; Samuel Participation year at FICM: 2003
The Mermaid and the Diver This film tells the story of the fantastic life of Sinbad, the diver who fell in love with a mermaid, who dies, is born and grows up in the Miskito lands of Nicaragua. See More
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26 “One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26 A Critical Look at the Artistic Community: Nicolás Pereda Presents LO DEMÁS ES RUIDO at the 24th FICM 10 · 22 · 26 Jean Vivo's L'ATALANTE Screened at the 24th FICM 10 · 22 · 26
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26
“One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26
A Critical Look at the Artistic Community: Nicolás Pereda Presents LO DEMÁS ES RUIDO at the 24th FICM 10 · 22 · 26
