2021 | Color | 11:32 Yazmín and Zenaida, daughter-in-law and mother-in-law, live awaiting the arrival of their husbands. Time that will reveal infinite possibilities. Country: México Direction: Manuel Piñon; Celina Yunuen Script: Manuel Piñon; Celina Yunuen Production: Flores; Coral Photography: Melgarejo; Anel Sound: Rueda; Ramon Music: La última molestia - La Orquesta de Santa Fe Cast:Manuel; Alondra, Medina Valentín; Elizabeth Art direction: Rosa Fefa Participation year at FICM: 2021
2021 | Color | 11:32 Yazmín and Zenaida, daughter-in-law and mother-in-law, live awaiting the arrival of their husbands. Time that will reveal infinite possibilities. Country: México Direction: Manuel Piñon; Celina Yunuen Script: Manuel Piñon; Celina Yunuen Production: Flores; Coral Photography: Melgarejo; Anel Sound: Rueda; Ramon Music: La última molestia - La Orquesta de Santa Fe Cast:Manuel; Alondra, Medina Valentín; Elizabeth Art direction: Rosa Fefa Participation year at FICM: 2021
Mintsita, Landscapes andInterfered Breaths Mintsita is breathing. Mintsita is heart. Mintsita is taking breath to continue. This is a cinematographic essay with archival material, about external interferences and the murmurs of the trees, stones and hills, which have been guardians of our memory. If we listen carefully, what do they tell us? See More
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25 Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25