2024 | B/N | 138:33 It’s the lunchtime rush at The Grill. Money has vanished from the register and all the workers are being questioned as they prepare endless dishes. Most are illegal immigrants. One of the cooks is Pedro, a dreamer in love with Julia, an American waitress. Pedro is accused of stealing the money, which sparks an act that will halt the assembly line in the kitchen. Country: México Direction: Ruizpalacios Remus; Alonso Guillermo Script: Ruizpalacios; Alonso Production: Ruíz; Ramiro, Gatica; Gerardo, Ruizpalacios; Alonso, Mann; Lauren, Orlic; Ivan Photography: Ramírez; Juan Pablo Sound: Umpierrez; Javier Music: Barreiro; Tomás Cast:Briones; Raúl, Mara; Rooney, Díaz; Anna, Foster; Motell, Gómez; Laura, Fehr; Oded, Olmos; Eduardo, Mosbah; Soundos, Waterston; James, Sellars; Lee, Granese; Spenser, Velasco; Bernardo, Basani; Nebli, Pérez ; José Luis Art direction: Cabriada; Sandra Participation year at FICM: 2024
2024 | B/N | 138:33 It’s the lunchtime rush at The Grill. Money has vanished from the register and all the workers are being questioned as they prepare endless dishes. Most are illegal immigrants. One of the cooks is Pedro, a dreamer in love with Julia, an American waitress. Pedro is accused of stealing the money, which sparks an act that will halt the assembly line in the kitchen. Country: México Direction: Ruizpalacios Remus; Alonso Guillermo Script: Ruizpalacios; Alonso Production: Ruíz; Ramiro, Gatica; Gerardo, Ruizpalacios; Alonso, Mann; Lauren, Orlic; Ivan Photography: Ramírez; Juan Pablo Sound: Umpierrez; Javier Music: Barreiro; Tomás Cast:Briones; Raúl, Mara; Rooney, Díaz; Anna, Foster; Motell, Gómez; Laura, Fehr; Oded, Olmos; Eduardo, Mosbah; Soundos, Waterston; James, Sellars; Lee, Granese; Spenser, Velasco; Bernardo, Basani; Nebli, Pérez ; José Luis Art direction: Cabriada; Sandra Participation year at FICM: 2024
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More
Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25 CAYÓ DE LA GLORIA EL DIABLO 05 · 08 · 25
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25
