2018 | Color | 85:00 Clueless, disoriented, unable to finish what she starts, always doing a thousand things at once, but with a deep desire to get out of her country and change her life, Nada, a single mother who just realized that her daughter has autism spectrum symptoms, will undertake a trip around the Balkans to reconcile with her past and accept her new destiny. Direction: Hernaiz Pidal; Marta Script: Hadžibegović; Aida, Hernaiz Pidal; Marta Production: Hernaiz Pidal; Marta, Bolado; Jorge Photography: Bolado; Jorge Sound: Rodríguez; Mariana, Chacra; Abraham, Bolado; Jorge, Romero; Víctor, Loustaunau; Daniel Music: Bolado; Jorge Cast:Hadžibegović; Aida, Đombić; Hava Art direction: Đombić; Safet Participation year at FICM: 2018
2018 | Color | 85:00 Clueless, disoriented, unable to finish what she starts, always doing a thousand things at once, but with a deep desire to get out of her country and change her life, Nada, a single mother who just realized that her daughter has autism spectrum symptoms, will undertake a trip around the Balkans to reconcile with her past and accept her new destiny. Direction: Hernaiz Pidal; Marta Script: Hadžibegović; Aida, Hernaiz Pidal; Marta Production: Hernaiz Pidal; Marta, Bolado; Jorge Photography: Bolado; Jorge Sound: Rodríguez; Mariana, Chacra; Abraham, Bolado; Jorge, Romero; Víctor, Loustaunau; Daniel Music: Bolado; Jorge Cast:Hadžibegović; Aida, Đombić; Hava Art direction: Đombić; Safet Participation year at FICM: 2018
Letters from the Ends of the World An international chronicle of the early days of the Covid-19 lockdown through 14 home movies. From Bistrik7, a collective founded by graduates of Béla Tarr’s film.factory. See More
Between Glasses On New Year’s Eve in the U.S.A, a wealthy Mexican family is vacationing at a fancy hotel. While the parents talk about moving north to get away from the situation back home, their teenage kids just want to score tickets to an exclusive party and skip the boring family dinner. At the distance, the Mexican waitress serving their table feels a pang of nostalgia knowing she will have no one to hug when the twelve bells chime. See More
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26 FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
