2022 | Color | 79:00 The desert is calling—yet Fabrizio Maltese’s journey begins with the ocean. When he accepts Mauritian director Abderrahmane Sissako’s invitation to continue the film that he and the late Pol Cruchten had initiated together, the project takes on a new symbolic dimension. But as Fabrizio travels solo to meet with the director, fate has other plans. Country: Luxemburgo Direction: Maltese; Fabrizio Script: Maltese; Fabrizio, Roelants; Stephan Production: Geiben; Jeanne, Maltese; Fabrizio Photography: Maltese; Fabrizio Sound: Mellet; Arnaud, Jorge; Diana, Juret; Anthony Music: Sevindik; Emre Participation year at FICM: 2022
2022 | Color | 79:00 The desert is calling—yet Fabrizio Maltese’s journey begins with the ocean. When he accepts Mauritian director Abderrahmane Sissako’s invitation to continue the film that he and the late Pol Cruchten had initiated together, the project takes on a new symbolic dimension. But as Fabrizio travels solo to meet with the director, fate has other plans. Country: Luxemburgo Direction: Maltese; Fabrizio Script: Maltese; Fabrizio, Roelants; Stephan Production: Geiben; Jeanne, Maltese; Fabrizio Photography: Maltese; Fabrizio Sound: Mellet; Arnaud, Jorge; Diana, Juret; Anthony Music: Sevindik; Emre Participation year at FICM: 2022
Lost Flowers The director, Fabrizio Maltese, a photographer and filmmaker who lives in Luxembourg, returns to his family in Italy after his father has suffered a heart attack. It’s the beginning of the pandemic and the country is in lockdown. An intimate diary and an ode to filial love in the face of the most trying circumstances a son can face. A tale of the soul and personal hardship in the context of a broader collective tragedy. See More
The Michoacan author José Rubén Romero 09 · 25 · 26 EVEN DWARFS STARTED SMALL: Herzog and the existence of the extraordinary 09 · 17 · 26 Tippett Studio and Paul Verhoeven: the end of an era between eroticism and science fiction 09 · 17 · 26 RIO, ZONA NORTE: reasons to smile 09 · 09 · 26
Tippett Studio and Paul Verhoeven: the end of an era between eroticism and science fiction 09 · 17 · 26
