1949 | B/N | 96:00 A Mexican immigration agent and his American counterpart stage an undercover operation in which the Mexican agent will cross the border, posing as an illegal immigrant, to monitor the experiences of migrant laborers entering the US and the grave risks they face. The plot exposes a series of crimes and their perpetrators until the agents’ own lives come under threat. Direction: Mann; Anthony Script: Higgins; John C., Zuckerman;George Production: Nayfack; Nicholas Photography: Alton; John Sound: Shearer; Douglas Music: Previn; André Cast:Mitchell; James, Celli; Teresa, McGraw; Charles, Ridgely; John, Hunnicutt; Arthur, Ruman; Sig, Waldis; Otto, Moss, Da Silva; Howard, Murphy; George, Montalbán; Ricardo, Torvay; José, Bedoya; Alfonso Art direction: Gibbons; Cedric, Peters; Hans Participation year at FICM: 2018
1949 | B/N | 96:00 A Mexican immigration agent and his American counterpart stage an undercover operation in which the Mexican agent will cross the border, posing as an illegal immigrant, to monitor the experiences of migrant laborers entering the US and the grave risks they face. The plot exposes a series of crimes and their perpetrators until the agents’ own lives come under threat. Direction: Mann; Anthony Script: Higgins; John C., Zuckerman;George Production: Nayfack; Nicholas Photography: Alton; John Sound: Shearer; Douglas Music: Previn; André Cast:Mitchell; James, Celli; Teresa, McGraw; Charles, Ridgely; John, Hunnicutt; Arthur, Ruman; Sig, Waldis; Otto, Moss, Da Silva; Howard, Murphy; George, Montalbán; Ricardo, Torvay; José, Bedoya; Alfonso Art direction: Gibbons; Cedric, Peters; Hans Participation year at FICM: 2018
Ismael Rodríguez and Hollywood 05 · 15 · 24 There is no one like mom. Mexico: atypical maternities in the 20th century 05 · 09 · 24 Farewell Laurent Cantet: two of his early films 05 · 02 · 24 El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24