2011 | B/N | 98 min Every morning Madalena makes bread for Antonio?s old coffee shop, crosses the tracks where no trains have passed for years, cleans the gate of the locked cemetery, listens to the priest?s sermon and then has lunch with the other old villagers. She lives in the past, clinging to the memory of her dead husband, until one day a young photographer named Rita arrives and changes her life. Country: Argentina, Brasil, Francia Direction: Murat; Julia Script: Murat; Julia, Clara Escobar; María, Sholl; Felipe Production: T; T, Lepoutre; Juliette, Macia; Marie-pierre, Raffo; Felicitas, Solomonoff; Julia, Boudier; Christian, Murat; Julia, Murat; Lucia Photography: Bonelli; Lucio Sound: Fabre; Florian, Bernardeau; Gilles, Xavier; Waldir, Giron; Facundo Music: Marcier; Lucas Cast:Igreja; Pedro, Guedes; Sonia, Fávero; Lisa, Serra; Luiz, Dos Santos; Elías, Rosa; Julião, Souza; Evanilde, Dos Santos; Manoelina, Aparecida Campos; María, Justiniano; Nelson, Dos Santos; Antônio, Merkin; Ricardo Participation year at FICM: 2011
2011 | B/N | 98 min Every morning Madalena makes bread for Antonio?s old coffee shop, crosses the tracks where no trains have passed for years, cleans the gate of the locked cemetery, listens to the priest?s sermon and then has lunch with the other old villagers. She lives in the past, clinging to the memory of her dead husband, until one day a young photographer named Rita arrives and changes her life. Country: Argentina, Brasil, Francia Direction: Murat; Julia Script: Murat; Julia, Clara Escobar; María, Sholl; Felipe Production: T; T, Lepoutre; Juliette, Macia; Marie-pierre, Raffo; Felicitas, Solomonoff; Julia, Boudier; Christian, Murat; Julia, Murat; Lucia Photography: Bonelli; Lucio Sound: Fabre; Florian, Bernardeau; Gilles, Xavier; Waldir, Giron; Facundo Music: Marcier; Lucas Cast:Igreja; Pedro, Guedes; Sonia, Fávero; Lisa, Serra; Luiz, Dos Santos; Elías, Rosa; Julião, Souza; Evanilde, Dos Santos; Manoelina, Aparecida Campos; María, Justiniano; Nelson, Dos Santos; Antônio, Merkin; Ricardo Participation year at FICM: 2011
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
