2021 | B/N | 11:33 A woman, now a resident of the United States (Yalitza Aparicio), takes her newborn baby to meet her family in Mexico. They must participate in an ancient ritual in the middle of the forest in which they discover that they are inevitably connected to the power of their female lineage. Direction: Schroeder; Faride Script: Acosta; Karen, Muñoz; Mario, Schroeder; Faride Production: Schroeder; Faride, Muñoz; Mario Photography: Gaeta; Bruno Sound: Greiner; Enrique Music: Heiblum ; Leonardo Cast:Aparicio; Yalitza, Heredia; Dolores Art direction: Ávila; Erika Participation year at FICM: 2021
2021 | B/N | 11:33 A woman, now a resident of the United States (Yalitza Aparicio), takes her newborn baby to meet her family in Mexico. They must participate in an ancient ritual in the middle of the forest in which they discover that they are inevitably connected to the power of their female lineage. Direction: Schroeder; Faride Script: Acosta; Karen, Muñoz; Mario, Schroeder; Faride Production: Schroeder; Faride, Muñoz; Mario Photography: Gaeta; Bruno Sound: Greiner; Enrique Music: Heiblum ; Leonardo Cast:Aparicio; Yalitza, Heredia; Dolores Art direction: Ávila; Erika Participation year at FICM: 2021
Mercy This is the story of a one-night stand between a migrant and a white girl—not even the bedroom is safe from the rest of the world and its prejudices. See More
Zurcidos Invisibles Destiny calls, waiting patiently. She goes deep inside herself to heal her wounds? See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
