2005 | Color | 108 min Wealthy music producer Alan James lives with his Russian girlfriend Laura, thirty years his junior. When Alan?s son, Michael, returns home to Memphis for the first time in many years, a painful and dangerous love affair develops between him and Laura, his contemporary Country: Estados Unidos Direction: Sachs; Ira Script: Rohaty; Michael Production: Bing; Mary, Bridger; Margot, Nga; Jawal, Rosenfeld; Donald, Sach; Ira Photography: Whatle; Julian Sound: Volpe; Damian Cast:Bailey; D³army, Blackfoot; J, E Burrows; Darren, Chipman; Jerry, Dickinson; Jim, Greer; Stuart, Henderson; Andrew, J Ingram; Charles, Kayle; Charly, Keltner; Howard, Kight; Arielle, Korzun; Dina, Malta; Todd, Mary; Mary Participation year at FICM: 2005
2005 | Color | 108 min Wealthy music producer Alan James lives with his Russian girlfriend Laura, thirty years his junior. When Alan?s son, Michael, returns home to Memphis for the first time in many years, a painful and dangerous love affair develops between him and Laura, his contemporary Country: Estados Unidos Direction: Sachs; Ira Script: Rohaty; Michael Production: Bing; Mary, Bridger; Margot, Nga; Jawal, Rosenfeld; Donald, Sach; Ira Photography: Whatle; Julian Sound: Volpe; Damian Cast:Bailey; D³army, Blackfoot; J, E Burrows; Darren, Chipman; Jerry, Dickinson; Jim, Greer; Stuart, Henderson; Andrew, J Ingram; Charles, Kayle; Charly, Keltner; Howard, Kight; Arielle, Korzun; Dina, Malta; Todd, Mary; Mary Participation year at FICM: 2005
Passages During the last day of shooting his film, director Tomas impulsively begins a passionate love affair with Agathe, a young teacher. For Tomas, being with a woman is an exciting novelty that he’s eager to explore, even though he’s married to Martin. But when Martin embarks on a new relationship of his own, Tomas turns his attention back to his husband. See More
Keep the Lights On Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but soon find a deeper connection and become a couple. In a nearly decade-long relationship marked by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity while staying true to himself. See More
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25
“The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25
64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
