Skip to main content
Fifaliana
2022 | Color | 101:00

Zaevo’s husband left her when she nearly died in labor. Now 16, she suffers from a terrible bladder wound that keeps her isolated from her family and society. A glimpse of hope appears when Latin American and Spanish doctors travel to South Madagascar. Their goal is to cure patients with obstetric fistula, a stigmatized condition that subjects more than two million women to social humiliation.


Direction: Hagerman Ruiz Galindo; Lorenzo
Script: Hagerman; Lorenzo
Production: Cohen; José, Soriano; Nicole
Photography: Hagerman; Lorenzo, Labastida; Miguel
Music: Alverson; Rick, Rex; Emilie
Participation year at FICM: 2022

Other Movies

Naza

Naza
Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More

5 de chocolate y 1 de fresa

5 de chocolate y 1 de fresa
Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More

The Buzz

Zumbido
During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More

Related News

Coahuayana, Michoacán
Visit the Beaches of Michoacán
Ganadores 24 FICM
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12
LOS LOBOS: NATIVE SONS, de Piero F. Giunti y Doug Blush, se proyectó en la 24ª edición del FICM
LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM
La muerte es temporal Cerveza Victoria
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM