2000 | Color | 6 min An experimental film about a native woman searching for her identity in her dreams. Country: Estados Unidos Direction: Cruz; Yolanda Participation year at FICM: 2011
2000 | Color | 6 min An experimental film about a native woman searching for her identity in her dreams. Country: Estados Unidos Direction: Cruz; Yolanda Participation year at FICM: 2011
La raya When a refrigerator magically appears out of nowhere in the small, forgotten village of La Raya, Sotera seizes it as a business opportunity and attempts to sell it with her friend Erick. However, the fridge is more than it seems, and soon starts revealing mysterious apparitions to the townsfolk. Meanwhile, Sotera’s dream of joining her mother in the US faces a reality check, and she must decide whether she is ready to leave La Raya, after all. See More
Hope, Soledad Two women at an emotional crossroads meet by chance on a pilgrimage to Juquila, Oax. Hope, a college student, tries to find a sense of self in her mother’s land after being displaced from her home in the U.S. Soledad struggles to free herself from the ghost of her deceased lover and end her relationship with a husband who lives in the U.S. Together, the two women walk in communion with local pilgrims as they seek to ease their personal suffering. See More
Silveria's Lessons This is the story of a Zapotec girl who pays a price for her mischief. Filmed on Zapotec land, this short film takes the audience into the lives of a traditional native community and shows how some childhood antics are universal. See More
The 23rd FICM Awarded the Best of its Official Selection and Impulso Morelia 11 10 · 17 · 25 Eddie Muller Presents 99 RIVER STREET on the Closing Night of the 23rd FICM. 10 · 17 · 25 Academic Forum: Pioneering Mexican Female Screenwriters at the 23rd FICM 10 · 17 · 25 When You're An Actor, No One Can Stop You From Doing It: Stellan Skarsgård at the Presentation of Sentimental Value 10 · 17 · 25
When You're An Actor, No One Can Stop You From Doing It: Stellan Skarsgård at the Presentation of Sentimental Value 10 · 17 · 25
