1961 | B/N | 48:00 A young girl, Gabriela, who is now grown up and has been exiled to Mexico, remembers the events that colored her life during the Spanish Civil War. The film was made with a budget of less than 50,000 pesos (approximately $3,000 USD) and was shot on a 16mm camera. Country: México Direction: García Ascot; Jomí Script: Elío; María Luisa, García Ascot; Jomí, García Riera; Emilio Photography: Torre; José María Music: Bretón; Tomás, música popular española, Bach; J. S. Cast:Pereña; Nuri, Elío; María Luisa, Genovés; Conchita, Muñoz de Baena; Jaime, García; Belina, Lipkau; Fernando, Bergua; Alicia, Bergua; Martín Participation year at FICM: 2015
1961 | B/N | 48:00 A young girl, Gabriela, who is now grown up and has been exiled to Mexico, remembers the events that colored her life during the Spanish Civil War. The film was made with a budget of less than 50,000 pesos (approximately $3,000 USD) and was shot on a 16mm camera. Country: México Direction: García Ascot; Jomí Script: Elío; María Luisa, García Ascot; Jomí, García Riera; Emilio Photography: Torre; José María Music: Bretón; Tomás, música popular española, Bach; J. S. Cast:Pereña; Nuri, Elío; María Luisa, Genovés; Conchita, Muñoz de Baena; Jaime, García; Belina, Lipkau; Fernando, Bergua; Alicia, Bergua; Martín Participation year at FICM: 2015
En el balcón vacío A young girl, Gabriela, now grown up and living in exile in Mexico, recalls the events that changed her life during the Spanish Civil War. The film was made with a budget of less than 50,000 pesos (approximately $3,000 USD) and shot on a 16 mm camera. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26