2014 | B/N | 104 Elsa, a vivacious retiree living in New Orleans, meets her new neighbor, straight-laced widower Fred, when she smashes into the bumper of his daughter’s new car. Fred’s stern daughter, Lydia, doesn’t condone Elsa’s free-spirited approach to old age. Soon, however, Elsa’s charming eccentricities begin to rub off on Fred, and the pair start to sneak around like young teenagers behind Lydia’s back. Country: Estados Unidos Direction: Radford; Michael Script: Bell; Mike Production: Levy; José, Veinberg; Nicolas, Ehrenberg; Matthias, Kleinbaum; Ricardo, Saxon; Edward Photography: Mcdonough; Michael Sound: Baird; Michael, Schexnayder; Richard Music: Bacalov; Luis Cast:MacLaine; Shirley, Segal; George, Noth; Chris, Brolin; James, Pierce; Wendell, Alexander; Erika, Rogers; Reg, Ríos; Osvaldo, Plummer; Christopher, Gilman; Jared, Bakula; Scott, Gay Harden; Marcia, Camil; Jaime Art direction: Carroll; Stephanie Participation year at FICM: 2014
2014 | B/N | 104 Elsa, a vivacious retiree living in New Orleans, meets her new neighbor, straight-laced widower Fred, when she smashes into the bumper of his daughter’s new car. Fred’s stern daughter, Lydia, doesn’t condone Elsa’s free-spirited approach to old age. Soon, however, Elsa’s charming eccentricities begin to rub off on Fred, and the pair start to sneak around like young teenagers behind Lydia’s back. Country: Estados Unidos Direction: Radford; Michael Script: Bell; Mike Production: Levy; José, Veinberg; Nicolas, Ehrenberg; Matthias, Kleinbaum; Ricardo, Saxon; Edward Photography: Mcdonough; Michael Sound: Baird; Michael, Schexnayder; Richard Music: Bacalov; Luis Cast:MacLaine; Shirley, Segal; George, Noth; Chris, Brolin; James, Pierce; Wendell, Alexander; Erika, Rogers; Reg, Ríos; Osvaldo, Plummer; Christopher, Gilman; Jared, Bakula; Scott, Gay Harden; Marcia, Camil; Jaime Art direction: Carroll; Stephanie Participation year at FICM: 2014
The Merchant of Venice Michael Radford ?I looked at every other Shakespeare movie and found very few of them actually really engaging. And my attempt with this was to make a film that audiences who didn?t necessarily know anything about Shakespeare would become involved in. See More
The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25 The 23rd FICM puts #FICM2025 Accreditation on sale 08 · 18 · 25 FICM Announces the Official Selection of its 23rd edition! 08 · 15 · 25 1968 and the new narratives in feature films 07 · 31 · 25
