1953 | B/N | 90:00 In this free version of Fritz Lang’s M, Viñoly Barreto observes human dynamics up close and melodramatically. Before a court, doctor Bernard recalls the details of the case of a murderer of girls known as the professor. It all starts when a showgirl sees the criminal dispose of a body while she throws it down a sewer. Dr. Bernard becomes obsessed with capturing the fearsome criminal, chasing down and catching various suspects whom he holds guilty. Country: Argentina Direction: Viñoly Barreto; Roman Script: Viñoly Barreto; Roman , Etchebehere; Alberto Photography: González Paz; Aníbal Sound: Fezia; Mario, Marín; Carlos Music: Ehlerth; Juan Cast:Zubarry; Olga, Escalada; Roberto, Pinzón; Nathán, Panizza; Nelly Art direction: Beghé; Jorge Participation year at FICM: 2023
1953 | B/N | 90:00 In this free version of Fritz Lang’s M, Viñoly Barreto observes human dynamics up close and melodramatically. Before a court, doctor Bernard recalls the details of the case of a murderer of girls known as the professor. It all starts when a showgirl sees the criminal dispose of a body while she throws it down a sewer. Dr. Bernard becomes obsessed with capturing the fearsome criminal, chasing down and catching various suspects whom he holds guilty. Country: Argentina Direction: Viñoly Barreto; Roman Script: Viñoly Barreto; Roman , Etchebehere; Alberto Photography: González Paz; Aníbal Sound: Fezia; Mario, Marín; Carlos Music: Ehlerth; Juan Cast:Zubarry; Olga, Escalada; Roberto, Pinzón; Nathán, Panizza; Nelly Art direction: Beghé; Jorge Participation year at FICM: 2023
The Beast Must Die Frank Cairnes’ life changes in seconds when his six-year-old son is killed in a hit-and-run accident. Now Frank’s sole objective is to find and murder the driver to avenge his son’s death. To achieve this, he’ll make use of his success as a detective novelist whose real identity no one knows, since he publishes his books under a pseudonym. See More
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El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
