2016 | Color | 73:00 Pedro is a farmer who defends his identity and his dreams; his sister Esther strives for a better future for her daughter as she shares her world through the lens of her small camera. They live in El Remolino, a tiny riverside community in Chiapas, Mexico, which is affected by strong floods every year. To them, life is like a swirl that spins them across the journey of their internal cycles and of the greater natural cycle of the river. Direction: Herrero Garvín; Laura Script: Herrero Garvín; Laura Production: López; Julio, Vignal; Anaïs Photography: Herrero Garvín; Laura Sound: Arce; Alvaro, Diez; Eloísa, Vergara; Josué Music: Cubas Fridman; Juan, Vergara; Josué, Arce; Alvaro Participation year at FICM: 2016
2016 | Color | 73:00 Pedro is a farmer who defends his identity and his dreams; his sister Esther strives for a better future for her daughter as she shares her world through the lens of her small camera. They live in El Remolino, a tiny riverside community in Chiapas, Mexico, which is affected by strong floods every year. To them, life is like a swirl that spins them across the journey of their internal cycles and of the greater natural cycle of the river. Direction: Herrero Garvín; Laura Script: Herrero Garvín; Laura Production: López; Julio, Vignal; Anaïs Photography: Herrero Garvín; Laura Sound: Arce; Alvaro, Diez; Eloísa, Vergara; Josué Music: Cubas Fridman; Juan, Vergara; Josué, Arce; Alvaro Participation year at FICM: 2016
La Mami After working in nightlife for over 40 years, Doña Olga is now La Mami: the caretaker of the women’s restroom at the mythical Barba Azul cabaret. Night after night, she cares for the dancers working to the rhythm of live music. The restroom is a bubble of trust inside Barba Azul. Today, a new woman stops by the restroom: she has a sick son and is looking for work. See More
Shout at me! Violence and judgement toward women are a heavy burden that Melissa lifts every time she trains. She lives in a macho society that punishes women who choose to break with their traditional role. Both on the street and on the ring, she is constantly met with demands, harassment, and guilt. But she will continue fighting and answering back: “Come on, are you going to shout at me or what?” See More
La Mami The life of a Mexico City cabaret is embodied in “La Mami,” who cleans the bathrooms and takes care of the women who work there night after night. See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24