2014 | Color | 83:00 A story about human condition and repentance. This documentary is the story of a tormented man, Don Rosendo, who has been haunted by his past and in the dawn of his life tries to find a sense for his existence. This story happens at the Mexico-USA border, in a transitory hostel. Country: México Direction: Gamou; Gustavo Script: Gamou; Gustavo Production: Bukantz; Karla, Hofmann; Henner Photography: Gamou; Gustavo Sound: Escalante; Diego Music: Pérez; Julián, Bizta; Mala, Acevedo; Emilio, López; Gabriel, Sonido Gallo Negro, Bulbo; Jessy, Truko Casasola; Enrique Participation year at FICM: 2015
2014 | Color | 83:00 A story about human condition and repentance. This documentary is the story of a tormented man, Don Rosendo, who has been haunted by his past and in the dawn of his life tries to find a sense for his existence. This story happens at the Mexico-USA border, in a transitory hostel. Country: México Direction: Gamou; Gustavo Script: Gamou; Gustavo Production: Bukantz; Karla, Hofmann; Henner Photography: Gamou; Gustavo Sound: Escalante; Diego Music: Pérez; Julián, Bizta; Mala, Acevedo; Emilio, López; Gabriel, Sonido Gallo Negro, Bulbo; Jessy, Truko Casasola; Enrique Participation year at FICM: 2015
The Wild Squad José Alfredo Jiménez, a cab driver, and his friend Reinaldo Cruz, a shoeshiner, decide to change their lives and follow their dream of getting together a group of amateur rodeo cowboys to challenge the pros. For this, they must rely on the help of "The Bandit". See More
"Hungarian Contemporary Cinema": A Conversation Presented by Barnabás Tóth at the 20th FICM 10 · 28 · 22 Luis Mandoki Unveils Commemorative Armchair During the Presentation of PRESENCIAS at the 20th FICM 10 · 28 · 22 The Press Conference for EL PODEROSO VICTORIA, by Raúl Ramón, at the 20th FICM 10 · 28 · 22 IMAGINE by Ali Behrad at the 20th edition of FICM 10 · 28 · 22
"Hungarian Contemporary Cinema": A Conversation Presented by Barnabás Tóth at the 20th FICM 10 · 28 · 22
Luis Mandoki Unveils Commemorative Armchair During the Presentation of PRESENCIAS at the 20th FICM 10 · 28 · 22
