2018 | B/N | 29:34 Through a letter, a son narrates the disappearance of his mother on the night of October 2, 1968, as well as the search that his father undertook until death without finding it. This essay made from a large number of photographs, is an evocation not only to the disappeared of 1968, but also to the disappearances of our days. In a country where people must learn to live under the weight of the fallen. Direction: Andrade Juárez; Gastón Script: Andrade Juárez; Gastón Production: Andrade Juárez; Gastón Sound: Andrade Juárez; Gastón Music: Estevez; Carlos Participation year at FICM: 2018
2018 | B/N | 29:34 Through a letter, a son narrates the disappearance of his mother on the night of October 2, 1968, as well as the search that his father undertook until death without finding it. This essay made from a large number of photographs, is an evocation not only to the disappeared of 1968, but also to the disappearances of our days. In a country where people must learn to live under the weight of the fallen. Direction: Andrade Juárez; Gastón Script: Andrade Juárez; Gastón Production: Andrade Juárez; Gastón Sound: Andrade Juárez; Gastón Music: Estevez; Carlos Participation year at FICM: 2018
Can't See the Forest for the Trees For a long time the town of Cherán, Michoacán, was harassed by the cartel "la familia michoacana" which blackmailed the population and destroyed the surrounding forests. Armed with stones and sticks its inhabitants decided to banish crime all together, stop the illegal felling of trees and reforest their woods. See More
The Tree A tree is removed from its habitat and turned into the principal element of an indigenous tradition. See More
Williams S. Burroughs: his passagge through Mexico and the movies 09 · 03 · 26 ALL THAT'S LEFT OF YOU: Cherien Dabis on Creation in Times of Destruction 08 · 27 · 26 Yasujirō Ozu: Always the same film? 08 · 19 · 26 Upon the death of Manolo Solo (1964-2026) and CLOSE YOUR EYES 08 · 06 · 26
