2016 | Color | 23:40 Chano is deported back to Mexico after living most of his life as an ilegal immigrant in the USA. Now, away from his wife and kids, he lives alone and depressed in the country where he is supposed to belong. While rebuilding an old motorcycle with Don Memo, a retired moto racer, with whom he is forced to work, he will find where his home is. Direction: Zúñiga; Juan Manuel Script: Zúñiga; Juan Manuel Production: Centro de Capacitación Cinematográfica A.C. Photography: Correa R.; Carlos Sound: Martínez Bucio; Ernesto, Muñoz; Isabel Music: Carrillo; Rodrigo Cast:Maciel; Guillermo, Rojasbar; Fernando, Cruz; Angeles, Bravo; Myriam, Vallejo; Gustavo Art direction: Chaparro; Susana Participation year at FICM: 2016
2016 | Color | 23:40 Chano is deported back to Mexico after living most of his life as an ilegal immigrant in the USA. Now, away from his wife and kids, he lives alone and depressed in the country where he is supposed to belong. While rebuilding an old motorcycle with Don Memo, a retired moto racer, with whom he is forced to work, he will find where his home is. Direction: Zúñiga; Juan Manuel Script: Zúñiga; Juan Manuel Production: Centro de Capacitación Cinematográfica A.C. Photography: Correa R.; Carlos Sound: Martínez Bucio; Ernesto, Muñoz; Isabel Music: Carrillo; Rodrigo Cast:Maciel; Guillermo, Rojasbar; Fernando, Cruz; Angeles, Bravo; Myriam, Vallejo; Gustavo Art direction: Chaparro; Susana Participation year at FICM: 2016
Don Sabás Don Sabás is a lonely old man who is waiting to die. His endless daily routine changes when a young boy is left in his care. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
