2005 | Color | 91:00 Bruno is 20; Sonia is 18. They live off Sonia’s pension and the thefts committed by Bruno and his gang. Sonia has just given birth to Jimmy, their child. How can Bruno be a father, irresponsible as he is, living hand-to-mouth, thinking only of the profits from his deals? Country: Bélgica Direction: Dardenne; Jean-Pierre, Dardenne; Luc Script: Dardenne; Luc, Dardenne; Jean-Pierre Production: Dardenne; Luc, Dardenne; Jean-Pierre, Freyd; Denis Photography: Marcoen; Alain Sound: Duret; Jean-Pierre Cast:Renier; Jérémie, Rongione; Fabrizio, Gourmet; Olivier, Segard; Jérémie, Déborah François Art direction: Gabriel; Igor Participation year at FICM: 2019
2005 | Color | 91:00 Bruno is 20; Sonia is 18. They live off Sonia’s pension and the thefts committed by Bruno and his gang. Sonia has just given birth to Jimmy, their child. How can Bruno be a father, irresponsible as he is, living hand-to-mouth, thinking only of the profits from his deals? Country: Bélgica Direction: Dardenne; Jean-Pierre, Dardenne; Luc Script: Dardenne; Luc, Dardenne; Jean-Pierre Production: Dardenne; Luc, Dardenne; Jean-Pierre, Freyd; Denis Photography: Marcoen; Alain Sound: Duret; Jean-Pierre Cast:Renier; Jérémie, Rongione; Fabrizio, Gourmet; Olivier, Segard; Jérémie, Déborah François Art direction: Gabriel; Igor Participation year at FICM: 2019
Young Mothers Jessica, Perla, Julie, Ariane and Naïma are housed in a shelter for young mothers—five teenagers longing for a better life for themselves and their babies. See More
Rosetta Teenage Rosetta shouts and fights in the halls of the factory where she has been fired without explanation. She lives in a caravan with her alcoholic mother on the outskirts of Liège. Refusing any kind of charity, she roams the city, desperately searching for a job. Rosetta is consumed by her fear of disappearing, by the shame of not belonging. She wants a normal life. See More
Dos días, una noche Sandra has only one weekend to visit her colleagues and convince them—with her husband’s help—to sacrifice their bonuses so that she can keep her job. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
Cuauhtémoc Cárdenas Batel, vicepresidente del FICM, recibió las insignias de Caballero en la Orden de las Artes y las Letras 02 · 18 · 26
