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1928 | B/N | 80 min

Morales and Diego fight for the love of don Miguel Vega’s daughter. Upon Morales´ death, Diego is suspected and pursued by the authorities. Hiding in the mountains, he comes into contact with the “Águila de la Sierra Morena,” a criminal group that helps the poor. After joining them in several attacks, Diego is imprisoned and sentenced to death. Once they find out, the members of “El Águila” try to save his life.

 


Country: Francia, España
Direction: Contreras Torres; Miguel
Script: Contreras Torres; Miguel
Production: Contreras Torres; Miguel
Photography: y Guidhard; Barthe, Blanc; Georges
Cast:Veldy; Nadia, Jalabert; Berthe, Guitty; Madeleine, de Kardi; Barón, Rico; Carmen, Duplessy; Nilda, Prospert; Lilian, Ibáñez; Ventura, Alemany; Isabelita, Guzmán; Santiago, Contreras Torres; Miguel, Navarre; René, Bonnet; Max
Participation year at FICM: 2003

Director Movies

Zítari (The Temple of the Thousand Serpents)

Zítari was not a full-length movie, no… It was a short that Miguel made for me in which I was an Indian princess in the pyramids of Teotihuacan… It was very nice, because there were two ways to see the past and the present… Also, there was no sound… It was Miguel's last work to be made without sound… And he did it for me, even though I reminded him that there wasn´t anything he did that wasn´t for me… He was full of love. (Interview of Medea de Novara, conducted by Sergio Robles Molina, "Miguel Contreras Torres, 1899-1981).

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I am Mexican from here from this side (Pretty Woman)

Jorge abandona la universidad para dedicarse a la parranda.

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The useless life of Pito Perez

The vagabond drunk Pito Perez returns to his home town of Santa Cruz del Cobre. Upon arriving, he rings the church bells to give himself a welcome and is detained by the authorities. Moved by the man's situation, Roman, a lawyer and poet, prevents his encarceration. Roman arranges to meet and talk with Pito every afternoon from that point on. In exchange for alcohol, Pito tells the lawyer the story of his unstable life.

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