2006 | Color | 120 min Gerardo and Jonas find each other because they have been looking for each other. In one first exchange of looks, they become old accomplices, after that comes one date after another: in a hotel, at the university, intimacy, kisses, skin, fusion, bed, shower, and bars. The feeling of staying together against distance, against time, brings them closer as in a perennial ritual bound to be repeated, in order to sustain the continuity of vital occurrences. Country: México Direction: Hernández; Julián Script: Hernández; Julián Production: Fiesco; Roberto Photography: Cantú; Alejandro Sound: Ojeda; Aurora Music: González; Juan Carlos, Villela Vega; Arturo Cast:Ruíz; Pilar, Arroyo; Fernando, Rojo; Alejandro, Pereda; Ignacio, Rendón; Clarisa, Soyuz; Ortos, Aragón; Klaudia, Hoppe; Miguel Ángel Art direction: Torres Torres; Jesús Participation year at FICM: 2006
2006 | Color | 120 min Gerardo and Jonas find each other because they have been looking for each other. In one first exchange of looks, they become old accomplices, after that comes one date after another: in a hotel, at the university, intimacy, kisses, skin, fusion, bed, shower, and bars. The feeling of staying together against distance, against time, brings them closer as in a perennial ritual bound to be repeated, in order to sustain the continuity of vital occurrences. Country: México Direction: Hernández; Julián Script: Hernández; Julián Production: Fiesco; Roberto Photography: Cantú; Alejandro Sound: Ojeda; Aurora Music: González; Juan Carlos, Villela Vega; Arturo Cast:Ruíz; Pilar, Arroyo; Fernando, Rojo; Alejandro, Pereda; Ignacio, Rendón; Clarisa, Soyuz; Ortos, Aragón; Klaudia, Hoppe; Miguel Ángel Art direction: Torres Torres; Jesús Participation year at FICM: 2006
La huella de unos labios Román, a B-movie actor, is isolated in his apartment as a pandemic keeps the world on edge. Aldo, a young indigenous man, is an essential worker authorized to come and go. The two men live across from each other in an apartment complex. Meeting online, they are able to talk and even see each other in video calls, but not in person. Eventually, they find themselves tempted to break out of lockdown. See More
Two Amongst Many A pandemic has separated Esteban and Alan. Esteban spends his days staring out at the nearby buildings from the rooftop where he lives, learning how to play the guitar, and staying connected to Alan through video calls—but there’s no end in sight to the isolation, and reality eventually catches up with them. See More
The Day Began Yesterday Orlando and Saúl meet by chance. Self-confident young Orlando is a college gymnast who refuses to let his HIV-positive status define him; insecure Saúl barely grasps what it means to have an active sex life. For both, their accidental encounter will result in a new way of seeing the world. See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
