2016 | Color | 15:30 Miles Parker, a young, hip English teacher at a suburban private school is confronted with the news he’s been diagnosed HIV positive. His world seems to crumble as the medication he’s prescribed for the rest of his life takes a physical toll and he’s put at odds with a concerned parent who fears her son could be in danger. Miles must struggle to maintain his dignity and find acceptance within himself and from those around him. Direction: Ortiz Pichardo; Guillermo Script: Ortiz Pichardo; Guillermo Production: Palmer; John, Cavelle; Jenna Photography: Winters; Sarah, Boldt; Jason Music: Torrado Tobón; Gabriel Cast:Miles; Mack, Bielskis; Caroline, Roozen; Zachary, McKelligon; Matthew Art direction: Jensen; Maren Participation year at FICM: 2016
2016 | Color | 15:30 Miles Parker, a young, hip English teacher at a suburban private school is confronted with the news he’s been diagnosed HIV positive. His world seems to crumble as the medication he’s prescribed for the rest of his life takes a physical toll and he’s put at odds with a concerned parent who fears her son could be in danger. Miles must struggle to maintain his dignity and find acceptance within himself and from those around him. Direction: Ortiz Pichardo; Guillermo Script: Ortiz Pichardo; Guillermo Production: Palmer; John, Cavelle; Jenna Photography: Winters; Sarah, Boldt; Jason Music: Torrado Tobón; Gabriel Cast:Miles; Mack, Bielskis; Caroline, Roozen; Zachary, McKelligon; Matthew Art direction: Jensen; Maren Participation year at FICM: 2016
Danzón no. 2 Mexico City, 1944. The star of the Salón Sonora is preparing for her nightly show, but when the clock strikes 11 and a mysterious man descends from a black coupé at the hall’s entrance, a story of passion, jealousy and dancing will unfold to the rythm of the Danzón no. 2, a symphonic piece by Arturo Márquez. See More
The Coen brothers' filmography 07 · 09 · 26 Fernando Eimbcke: The specter in the frame 06 · 30 · 26 Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26
