1931 | B/N | 20 An avant-garde series of images shot around the harbor of Oporto, Portugal. A vision of a working town Country: Portugal Direction: de Oliveira; Manoel Script: de Oliveira; Manoel Production: de Oliveira; Manoel Photography: Mende; António Music: De Freitas Branco; Luís Participation year at FICM: 2004
1931 | B/N | 20 An avant-garde series of images shot around the harbor of Oporto, Portugal. A vision of a working town Country: Portugal Direction: de Oliveira; Manoel Script: de Oliveira; Manoel Production: de Oliveira; Manoel Photography: Mende; António Music: De Freitas Branco; Luís Participation year at FICM: 2004
Gebo and the Shadow Despite his age and general weariness, Gebo keeps on working as an accountant to provide for his family. He lives with his wife, Doroteia, and his daughter-in-law, Sofia, but it is the absence of João, son and husband, that worries them. Gebo seems to be hiding something, especially from Doroteia, who is anxiously waiting to see her son again. Sofia is also waiting for her husband to come home, and yet she fears him. All of a sudden, João arrives and everything changes. See More
Um filme falado A celebration of travel, conversation, and ideas, this odyssey follows young history professor Rosa Marie as she sets off by sea with her precocious daughter to meet her husband in Bombay. Journeying through the wonders of Western civilization, they encounter a series of intriguing cultural guides and passengers who weigh in on the sites and state of the world. De Oliveira weaves a seductive web, enthralling us with enchanting characters, locales, and banter, while retaining a dark and provocative twist up his sleeve See More
Migration, enforced disappearances, memory and oblivion in three documentaries 05 · 18 · 23 Carlos Monsiváis, 85 years after his birth 05 · 04 · 23 A List of Mexicans Who Have Won an Oscar... Updated! 03 · 06 · 23 "Hungarian Contemporary Cinema": A Conversation Presented by Barnabás Tóth at the 20th FICM 10 · 28 · 22
"Hungarian Contemporary Cinema": A Conversation Presented by Barnabás Tóth at the 20th FICM 10 · 28 · 22