2009 | Color | 14 min She decides to carry out a silent pact agreed with him, goes back to the house where both lived a passionate relation years before. She calls him by telephone, the silence in the auricular, and three coins that fall to the flat, indicate to him, that she has decided to die of pleasure in his arms. Country: México Direction: Leyva; Ileana Script: Leyva; Ileana Production: Dovalina; Julio, Casas; Armando, Leyva; Ileana Photography: Rodríguez García; Jerónimo Sound: Barriga; Jerónimo Music: Ledezma Music Producers;, Sánchez; Cast:González; Erando, Pantoja Villafaña; Emiliano, Villafaña; Valeria, Ríos; Roberto "Raki", Cervantes; Elizabeth Art direction: Castañeda; Luis Participation year at FICM: 2009
2009 | Color | 14 min She decides to carry out a silent pact agreed with him, goes back to the house where both lived a passionate relation years before. She calls him by telephone, the silence in the auricular, and three coins that fall to the flat, indicate to him, that she has decided to die of pleasure in his arms. Country: México Direction: Leyva; Ileana Script: Leyva; Ileana Production: Dovalina; Julio, Casas; Armando, Leyva; Ileana Photography: Rodríguez García; Jerónimo Sound: Barriga; Jerónimo Music: Ledezma Music Producers;, Sánchez; Cast:González; Erando, Pantoja Villafaña; Emiliano, Villafaña; Valeria, Ríos; Roberto "Raki", Cervantes; Elizabeth Art direction: Castañeda; Luis Participation year at FICM: 2009
In the Hallways In the hallways of the Dance and Music Conservatory, Cheryl, ex Merce Cunningham dancer and now teacher of the conservatory, and Lucas a young dancer, tell us their concerns about the world of contemporary dance. In the meantime, Fatoumata dances with the walls and Kay explores the building. See More
The Morelia International Film Festival Reveals the Program for its 23rd Edition 09 · 04 · 25 Eusebio Poncela (1945-2025): LAW OF DESIRE and RAPTURE 08 · 28 · 25 Impulso Morelia 11 Announces Its Selection and International Experts’ Panel 08 · 26 · 25 The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25
