2021 | Color | 18:00 Expired photochemical materials, between 20 and 50 years out of the range of viability. Film found at global garbage dump, still throbbing fossil swap meets. Almost images extracted with violence and force, from the first to the last step of manipulation. Every image, every sound is the result of a geological combat. Direction: Varela Rodríguez; Bruno Gustavo Script: Varela; Bruno Production: anticuerpo Photography: Varela; Bruno Sound: Varela; Bruno Music: Brown; Steven, Varela; Bruno Cast:La luz Art direction: Varela; Bruno Participation year at FICM: 2021
2021 | Color | 18:00 Expired photochemical materials, between 20 and 50 years out of the range of viability. Film found at global garbage dump, still throbbing fossil swap meets. Almost images extracted with violence and force, from the first to the last step of manipulation. Every image, every sound is the result of a geological combat. Direction: Varela Rodríguez; Bruno Gustavo Script: Varela; Bruno Production: anticuerpo Photography: Varela; Bruno Sound: Varela; Bruno Music: Brown; Steven, Varela; Bruno Cast:La luz Art direction: Varela; Bruno Participation year at FICM: 2021
Neon Cortex Speculative fiction, vegetal narration, dream of seeds. Neon Cortex: a living assembly, a potential film. An entity with a will of its own that resists disintegration and insistently introduces itself in new forms. A pile of basalt beneath an ancestral temple. Trickling. S8 and 16mm, digitally reformed. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
