Skip to main content
2005 | Color | 12 min

Tail Between Your Legs Efraín and Ramsés´ life slips away like smoke between their fingers, but their stolen dog Marilyn will soon involve them in destiny´s inevitalbe turns.


Country: México
Direction: Sama; Carlos “Hari”
Script: Zadi; Ed, Arreola; Enrique, Isacc; Mauricio, Sama; Carlos “Hari”, Pérez; Eduardo “Spooky”
Production: Valadez; Verónica, de la Fuente; Salvador, Sama; Carlos “Hari”
Photography: Calderón; Agustín
Sound: Romero; Rodolfo
Music: González Valderrama; Darío
Cast:Isaac; Mauricio, Arreola; Enrique
Art direction: Paz González; María
Participation year at FICM: 2005

Director Movies

The Dream of Lu

After an attempted suicide, Lucia reassesses her life in order to move on. Facing the grief over the loss of her son, she discovers new bonds of friendship and small miracles. An encounter and an unexpected journey will help her find her place in life and understand that eternity is contained in an instant.

See More

The Afternoon has Eyes

Julián and Alejandro find an abandoned briefcase. Is this briefcase empty or full of problems? More than a briefcase, what Julián and Alejandro have is a chance to change their lives. Anything is possible if the briefcase remains closed. But what if they open it? This film explores how doubt, uncertainty, and procrastination can arise in any situation. It´s a film about cops and robbers, without cops or robbers. A film about change, and the importance of challenging situations.

See More

Related News

El Festival Internacional de Cine de Curazao abre la convocatoria para la segunda edición de Impact, en colaboración con el FICM
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM
Coahuayana, Michoacán
Visit the Beaches of Michoacán
Ganadores 24 FICM
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12
LOS LOBOS: NATIVE SONS, de Piero F. Giunti y Doug Blush, se proyectó en la 24ª edición del FICM
LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM