2018 | Color | 90:00 Croatia, January 1992. Amid the Yugoslav Wars, Chris, a young Swiss journalist, is found dead under mysterious circumstances—and wearing the uniform of an international mercenary group. His cousin Anja Kofmel had admired this handsome young man as a little girl. Now a grown woman, she decides to investigate his story, trying to understand the true nature of Chris’s involvement in the conflict. Direction: Kofmel; Anja Script: Kofmel; Anja Production: Deckert; Heino, Juricic; Sinisa, Vehkalahti; Iikka, Samir Photography: Guy Fässler; Simon, Künzli; Philipp, Sandru; Gabriel Sound: Krohn; Markus Music: Vaid; Marcel Cast:Julio César Alonso, Alejandro Hernández Mora, Heidi Rinke, Sinisa Juricic, Megan Gay, Joel Basman, Michael Würtenberg, Veronika Schwab, Carlos Ilich Ramírez Sánchez Art direction: Valbert; Serge Participation year at FICM: 2018
2018 | Color | 90:00 Croatia, January 1992. Amid the Yugoslav Wars, Chris, a young Swiss journalist, is found dead under mysterious circumstances—and wearing the uniform of an international mercenary group. His cousin Anja Kofmel had admired this handsome young man as a little girl. Now a grown woman, she decides to investigate his story, trying to understand the true nature of Chris’s involvement in the conflict. Direction: Kofmel; Anja Script: Kofmel; Anja Production: Deckert; Heino, Juricic; Sinisa, Vehkalahti; Iikka, Samir Photography: Guy Fässler; Simon, Künzli; Philipp, Sandru; Gabriel Sound: Krohn; Markus Music: Vaid; Marcel Cast:Julio César Alonso, Alejandro Hernández Mora, Heidi Rinke, Sinisa Juricic, Megan Gay, Joel Basman, Michael Würtenberg, Veronika Schwab, Carlos Ilich Ramírez Sánchez Art direction: Valbert; Serge Participation year at FICM: 2018
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25
“The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25
64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
