2008 | Color | 1h 2 min A documentary film which reflects the rough life at a war refugee camp in the Saharawi Arab Republic, located in the most inhospitable part of the mythical Sahara Desert. The film is anchored in the point of view of the children, who reveal their hopes and dreams in their drawings. The story takes place in a place known as Hammada (Nowhere land). These children will guide us through their stories, their conflict-ridden lives in a place that has been almost forgotten. Country: México Direction: Bouchot; Luis Mariano Script: Bouchot; Luis Mariano, Mendoza; Alfredo Production: Mendoza; Ma. Guadalupe Photography: Rubio Cazarin; Jorge Sound: Coy; Erick, Gutiérrez; Emile Music: Coy; Erick, Gutiérrez; Emile Participation year at FICM: 2008
2008 | Color | 1h 2 min A documentary film which reflects the rough life at a war refugee camp in the Saharawi Arab Republic, located in the most inhospitable part of the mythical Sahara Desert. The film is anchored in the point of view of the children, who reveal their hopes and dreams in their drawings. The story takes place in a place known as Hammada (Nowhere land). These children will guide us through their stories, their conflict-ridden lives in a place that has been almost forgotten. Country: México Direction: Bouchot; Luis Mariano Script: Bouchot; Luis Mariano, Mendoza; Alfredo Production: Mendoza; Ma. Guadalupe Photography: Rubio Cazarin; Jorge Sound: Coy; Erick, Gutiérrez; Emile Music: Coy; Erick, Gutiérrez; Emile Participation year at FICM: 2008
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
EL HALCÓN, a tribute to wrestling films: Interview with Eduardo Valenzuela 03 · 15 · 24 ETERNITY NEVER SURRENDERED, RUSH HOUR, POTENTIAE, A WILD STREAM, THE SOWER, and other films from the 15th and 16th FICM 03 · 14 · 24 ZOOT SUIT. Tin Tan and the pachucos… 03 · 07 · 24 Lynn Fainchtein: Long Live the Music! 03 · 05 · 24
ETERNITY NEVER SURRENDERED, RUSH HOUR, POTENTIAE, A WILD STREAM, THE SOWER, and other films from the 15th and 16th FICM 03 · 14 · 24