2016 | Color | 11:00 A rural science fiction story about extinction, narrated by an individual that is the last of its kind. Direction: Huerta Cano; Dalia, Puig Domene; Iván Script: Puig Domene; Iván, Huerta Cano; Dalia Production: Puig Domene; Iván, Huerta Cano; Dalia Photography: Puig Domene; Iván, Huerta Cano; Dalia Sound: García- Salas; Rita, González; Homero Music: González; Homero Cast:Sánchez; Pueblo Art direction: Puig Domene; Iván, Huerta Cano; Dalia Participation year at FICM: 2016
2016 | Color | 11:00 A rural science fiction story about extinction, narrated by an individual that is the last of its kind. Direction: Huerta Cano; Dalia, Puig Domene; Iván Script: Puig Domene; Iván, Huerta Cano; Dalia Production: Puig Domene; Iván, Huerta Cano; Dalia Photography: Puig Domene; Iván, Huerta Cano; Dalia Sound: García- Salas; Rita, González; Homero Music: González; Homero Cast:Sánchez; Pueblo Art direction: Puig Domene; Iván, Huerta Cano; Dalia Participation year at FICM: 2016
Almost Invisible In a Guatemalan mountain village, a young girl Elena, is sent to fetch water and keys for her mother, a local activist. On her way through the village, the dogs and other things in her inner self, start barking. See More
Collector’s Item An exploration of everyday ambivalence around property, consumption, and whiteness. The text, adapted from a longer work, was written collaboratively, and the video was made in conversation with the text. See More
Symptoms For two years, a surgeon obsessively sends messages to her husband’s ex-lover after she finds out about their affair. See More
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25 CAYÓ DE LA GLORIA EL DIABLO 05 · 08 · 25 The mysteries of Elena Garro 05 · 02 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25
