2019 | Color | 27:30 Memories as images: undated, placeless, nameless. Country: México Direction: Bonilla; Santiago Script: Bonilla; Santiago Production: Siliceo; Pia, Bonilla; Santiago Photography: Bonilla; Santiago Sound: Mendoza Uribe; Emiliano Music: Mendoza Uribe; Emiliano Cast:Villegas; Mariana, Flores Navarrete; Isaí, Cristiany; Rubén, Pruneda; Úrsula, Meléndez; Hoze Art direction: Vázquez Yela; Aldo Participation year at FICM: 2019
2019 | Color | 27:30 Memories as images: undated, placeless, nameless. Country: México Direction: Bonilla; Santiago Script: Bonilla; Santiago Production: Siliceo; Pia, Bonilla; Santiago Photography: Bonilla; Santiago Sound: Mendoza Uribe; Emiliano Music: Mendoza Uribe; Emiliano Cast:Villegas; Mariana, Flores Navarrete; Isaí, Cristiany; Rubén, Pruneda; Úrsula, Meléndez; Hoze Art direction: Vázquez Yela; Aldo Participation year at FICM: 2019
Parallel 28 Salary. From latin salarium “an allowance, a stipend, a pension”, said to be originally “salt-money, soldier’s allowance for the purchase of salt”. See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
