2019 | Color | 27:30 Memories as images: undated, placeless, nameless. Country: México Direction: Bonilla; Santiago Script: Bonilla; Santiago Production: Siliceo; Pia, Bonilla; Santiago Photography: Bonilla; Santiago Sound: Mendoza Uribe; Emiliano Music: Mendoza Uribe; Emiliano Cast:Villegas; Mariana, Flores Navarrete; Isaí, Cristiany; Rubén, Pruneda; Úrsula, Meléndez; Hoze Art direction: Vázquez Yela; Aldo Participation year at FICM: 2019
2019 | Color | 27:30 Memories as images: undated, placeless, nameless. Country: México Direction: Bonilla; Santiago Script: Bonilla; Santiago Production: Siliceo; Pia, Bonilla; Santiago Photography: Bonilla; Santiago Sound: Mendoza Uribe; Emiliano Music: Mendoza Uribe; Emiliano Cast:Villegas; Mariana, Flores Navarrete; Isaí, Cristiany; Rubén, Pruneda; Úrsula, Meléndez; Hoze Art direction: Vázquez Yela; Aldo Participation year at FICM: 2019
Parallel 28 Salary. From latin salarium “an allowance, a stipend, a pension”, said to be originally “salt-money, soldier’s allowance for the purchase of salt”. See More
Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
