2019 | Color | 27:30 Memories as images: undated, placeless, nameless. Country: México Direction: Bonilla; Santiago Script: Bonilla; Santiago Production: Siliceo; Pia, Bonilla; Santiago Photography: Bonilla; Santiago Sound: Mendoza Uribe; Emiliano Music: Mendoza Uribe; Emiliano Cast:Villegas; Mariana, Flores Navarrete; Isaí, Cristiany; Rubén, Pruneda; Úrsula, Meléndez; Hoze Art direction: Vázquez Yela; Aldo Participation year at FICM: 2019
2019 | Color | 27:30 Memories as images: undated, placeless, nameless. Country: México Direction: Bonilla; Santiago Script: Bonilla; Santiago Production: Siliceo; Pia, Bonilla; Santiago Photography: Bonilla; Santiago Sound: Mendoza Uribe; Emiliano Music: Mendoza Uribe; Emiliano Cast:Villegas; Mariana, Flores Navarrete; Isaí, Cristiany; Rubén, Pruneda; Úrsula, Meléndez; Hoze Art direction: Vázquez Yela; Aldo Participation year at FICM: 2019
Parallel 28 Salary. From latin salarium “an allowance, a stipend, a pension”, said to be originally “salt-money, soldier’s allowance for the purchase of salt”. See More
EVEN DWARFS STARTED SMALL: Herzog and the existence of the extraordinary 09 · 17 · 26 Tippett Studio and Paul Verhoeven: the end of an era between eroticism and science fiction 09 · 17 · 26 RIO, ZONA NORTE: reasons to smile 09 · 09 · 26 Williams S. Burroughs: his passagge through Mexico and the movies 09 · 03 · 26
Tippett Studio and Paul Verhoeven: the end of an era between eroticism and science fiction 09 · 17 · 26
