2019 | Color | 27:30 Memories as images: undated, placeless, nameless. Country: México Direction: Bonilla; Santiago Script: Bonilla; Santiago Production: Siliceo; Pia, Bonilla; Santiago Photography: Bonilla; Santiago Sound: Mendoza Uribe; Emiliano Music: Mendoza Uribe; Emiliano Cast:Villegas; Mariana, Flores Navarrete; Isaí, Cristiany; Rubén, Pruneda; Úrsula, Meléndez; Hoze Art direction: Vázquez Yela; Aldo Participation year at FICM: 2019
2019 | Color | 27:30 Memories as images: undated, placeless, nameless. Country: México Direction: Bonilla; Santiago Script: Bonilla; Santiago Production: Siliceo; Pia, Bonilla; Santiago Photography: Bonilla; Santiago Sound: Mendoza Uribe; Emiliano Music: Mendoza Uribe; Emiliano Cast:Villegas; Mariana, Flores Navarrete; Isaí, Cristiany; Rubén, Pruneda; Úrsula, Meléndez; Hoze Art direction: Vázquez Yela; Aldo Participation year at FICM: 2019
Parallel 28 Salary. From latin salarium “an allowance, a stipend, a pension”, said to be originally “salt-money, soldier’s allowance for the purchase of salt”. See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
