2022 | Color | 13:30 Eighteen years ago, Gerardo Sansón Pérez lost his memory in a car accident. After two weeks in a coma, he woke up. But he would never be the same. Unable to remember his career, the search for work led him to a new lifelong profession: film projectionist. Since then, the projection booth has become Gerardo’s space for introspection, where images reveal themselves as his own memories. Country: México Direction: Landa; Yudiel Script: Landa; Yudiel Production: Cedillo; Jorge, Landa; Yudiel Photography: Hennigaan; Naycir, Landa; Yudiel Sound: Carreño; Valeria Music: Blendl; Cheba Participation year at FICM: 2022
2022 | Color | 13:30 Eighteen years ago, Gerardo Sansón Pérez lost his memory in a car accident. After two weeks in a coma, he woke up. But he would never be the same. Unable to remember his career, the search for work led him to a new lifelong profession: film projectionist. Since then, the projection booth has become Gerardo’s space for introspection, where images reveal themselves as his own memories. Country: México Direction: Landa; Yudiel Script: Landa; Yudiel Production: Cedillo; Jorge, Landa; Yudiel Photography: Hennigaan; Naycir, Landa; Yudiel Sound: Carreño; Valeria Music: Blendl; Cheba Participation year at FICM: 2022
What Remains In 2013, the Community Self-Defense Groups originated in the state of Michoacán with the aim of eradicating cartels from their communities. But it wasn’t until 2014, in Nueva Italia, Michoacán, that these groups looted and burned properties linked to drug trafficking, including the only movie theater in town. See More
Hernán Cortés: two atypical visions 04 · 10 · 25 MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25
