2022 | Color | 13:30 Eighteen years ago, Gerardo Sansón Pérez lost his memory in a car accident. After two weeks in a coma, he woke up. But he would never be the same. Unable to remember his career, the search for work led him to a new lifelong profession: film projectionist. Since then, the projection booth has become Gerardo’s space for introspection, where images reveal themselves as his own memories. Country: México Direction: Landa; Yudiel Script: Landa; Yudiel Production: Cedillo; Jorge, Landa; Yudiel Photography: Hennigaan; Naycir, Landa; Yudiel Sound: Carreño; Valeria Music: Blendl; Cheba Participation year at FICM: 2022
2022 | Color | 13:30 Eighteen years ago, Gerardo Sansón Pérez lost his memory in a car accident. After two weeks in a coma, he woke up. But he would never be the same. Unable to remember his career, the search for work led him to a new lifelong profession: film projectionist. Since then, the projection booth has become Gerardo’s space for introspection, where images reveal themselves as his own memories. Country: México Direction: Landa; Yudiel Script: Landa; Yudiel Production: Cedillo; Jorge, Landa; Yudiel Photography: Hennigaan; Naycir, Landa; Yudiel Sound: Carreño; Valeria Music: Blendl; Cheba Participation year at FICM: 2022
What Remains In 2013, the Community Self-Defense Groups originated in the state of Michoacán with the aim of eradicating cartels from their communities. But it wasn’t until 2014, in Nueva Italia, Michoacán, that these groups looted and burned properties linked to drug trafficking, including the only movie theater in town. See More
The Morelia International Film Festival Reveals the Program for its 23rd Edition 09 · 04 · 25 Eusebio Poncela (1945-2025): LAW OF DESIRE and RAPTURE 08 · 28 · 25 Impulso Morelia 11 Announces Its Selection and International Experts’ Panel 08 · 26 · 25 The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25
