2004 | Color | 35 min Embroidering Freedom, Unthreading Punishment A collection of impressive testimonies of indigenous women incarcerated in the Santa María Ixcotel state prison in Oaxaca, accused of drug dealing. There are many mothers among them that are innocent of the imputed offences Country: México Direction: Díaz; Tonatiuh Script: Díaz; Tonatiuh Production: Núñez; Concepción, Castellanos; Aline Photography: José García; Juan Sound: Morales; Clara Participation year at FICM: 2005
2004 | Color | 35 min Embroidering Freedom, Unthreading Punishment A collection of impressive testimonies of indigenous women incarcerated in the Santa María Ixcotel state prison in Oaxaca, accused of drug dealing. There are many mothers among them that are innocent of the imputed offences Country: México Direction: Díaz; Tonatiuh Script: Díaz; Tonatiuh Production: Núñez; Concepción, Castellanos; Aline Photography: José García; Juan Sound: Morales; Clara Participation year at FICM: 2005
La lucha por la tierra: crónica desde Yosotatu This documentary centers on a territorial dispute between two Mixtec communities in the state of Oaxaca. By tracing the territorial conflict over time, it reveals a negligent state?s failure to pursue justice and demonstrates the deadly consequences of politicians intervening in the situation for their own benefit See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
