2016 | Color | 16:53 Bea realizes that the love she deemed infinite is as decadent and full of excess as a night in the port of Acapulco. Direction: Lecuona; Eduardo Script: Lecuona; Eduardo Production: Lecuona; Eduardo, Sánchez Solis; Francisco Photography: Arochi; Andrés Sound: Barito; Bobb, Orduña; Alejandro Music: Niro; Franco Cast:Zajarias; Samantha, Sepulveda; Javier, Burguete; María, Bobadilla; María, Benavides; Andrea, Von Bertrab; Diego, Traver; Enrique, Rodríguez; Leonardo, Padilla; Andrés, Ambriz Martínez; Edith Participation year at FICM: 2016
2016 | Color | 16:53 Bea realizes that the love she deemed infinite is as decadent and full of excess as a night in the port of Acapulco. Direction: Lecuona; Eduardo Script: Lecuona; Eduardo Production: Lecuona; Eduardo, Sánchez Solis; Francisco Photography: Arochi; Andrés Sound: Barito; Bobb, Orduña; Alejandro Music: Niro; Franco Cast:Zajarias; Samantha, Sepulveda; Javier, Burguete; María, Bobadilla; María, Benavides; Andrea, Von Bertrab; Diego, Traver; Enrique, Rodríguez; Leonardo, Padilla; Andrés, Ambriz Martínez; Edith Participation year at FICM: 2016
No me sigas Obsessed with becoming popular with her ghost and paranormal videos, Carla moves into a famous haunted building. There, she begins faking ghostly apparitions to gain more followers, unaware that her apartment is inhabited by a real, evil entity that will torment her until no one can tell what’s real or fake... not even her. See More
EVEN DWARFS STARTED SMALL: Herzog and the existence of the extraordinary 09 · 17 · 26 Tippett Studio and Paul Verhoeven: the end of an era between eroticism and science fiction 09 · 17 · 26 RIO, ZONA NORTE: reasons to smile 09 · 09 · 26 Williams S. Burroughs: his passagge through Mexico and the movies 09 · 03 · 26
Tippett Studio and Paul Verhoeven: the end of an era between eroticism and science fiction 09 · 17 · 26