2009 | Color | 1h 10 min This documentary focuses on the obstacles - almost always insurmountable - which victims and institutions face in trying to procure justice in cases of genocide and crimes against humanity, a result of the complex framework of political and economic interests operating against them. The story repeats itself at different moments, in different places around the globe, Under the Same Sun. Country: México, España Direction: Erenberg; Shula Script: Bruschtein; Natalia, Erenberg; Shula Production: Barberis; Nerio Photography: Bellver; Marc, Licea; Erika, Kovensky; Hugo Sound: Bruschtein; Natalia, Arroyo; Santiago, Barberis; Matías Music: Barberis; Matías, Garibay; Rodrigo Participation year at FICM: 2009
2009 | Color | 1h 10 min This documentary focuses on the obstacles - almost always insurmountable - which victims and institutions face in trying to procure justice in cases of genocide and crimes against humanity, a result of the complex framework of political and economic interests operating against them. The story repeats itself at different moments, in different places around the globe, Under the Same Sun. Country: México, España Direction: Erenberg; Shula Script: Bruschtein; Natalia, Erenberg; Shula Production: Barberis; Nerio Photography: Bellver; Marc, Licea; Erika, Kovensky; Hugo Sound: Bruschtein; Natalia, Arroyo; Santiago, Barberis; Matías Music: Barberis; Matías, Garibay; Rodrigo Participation year at FICM: 2009
Rosario This is a portrait of a woman whose son disappeared in the year 1975 in the city of Monterrey, Nuevo León, changing her life forever. She became a tireless fighter who went from searching for her son to a life Project based on defending human rights in México. See More
Ana Cristina Barragán's HIEDRA Presented at the 23rd FICM 10 · 14 · 25 Olivia Harrison Presented the Documentary BEATLES '64 10 · 14 · 25 Emilio Maillé: LA NOCHE ETERNA DEL BABY’O Was Like Entering a World That is Not My World 10 · 14 · 25 NO ME SIGAS World Premiere at the 23rd FICM 10 · 14 · 25
Emilio Maillé: LA NOCHE ETERNA DEL BABY’O Was Like Entering a World That is Not My World 10 · 14 · 25
