2018 | Color | 88:00 After getting out of jail, where she learned to care for the sick, Alma, an albino woman, is determined to recover at any cost something much more important than her own freedom. In order to do so, Alma must spend her nights taking care of Clemente (a hypochondriac compulsively obsessed with avoiding sudden death). Their relationship moves through suspicion, fear and compassion to tenderness and love. Direction: Márquez Alkadef Cortés ; Martha Kenya Script: Márquez; Kenya, Suárez Romero; Alfonso Production: Iliana Reyes Chávez Producción ejecutiva: Araceli Velázquez Producción asociada: Roberto Fie, Márquez; Kenya Photography: Javier Morón AMC Sound: Diseño sonoro: Matías Barberis, Sonido directo: Toño Diego Music: Yolihuani Curiel y Fernando Arias, Orozco; Sofía, Fesway Cast:Johana Fragoso Blendl, Azul Magaña Muñiz, Martha Claudia Moreno y Mauricio Isaac, Raúl Briones, Arreola; Enrique, del Carmen; Mónica Art direction: Lorenza Manrique Mansour Participation year at FICM: 2018
2018 | Color | 88:00 After getting out of jail, where she learned to care for the sick, Alma, an albino woman, is determined to recover at any cost something much more important than her own freedom. In order to do so, Alma must spend her nights taking care of Clemente (a hypochondriac compulsively obsessed with avoiding sudden death). Their relationship moves through suspicion, fear and compassion to tenderness and love. Direction: Márquez Alkadef Cortés ; Martha Kenya Script: Márquez; Kenya, Suárez Romero; Alfonso Production: Iliana Reyes Chávez Producción ejecutiva: Araceli Velázquez Producción asociada: Roberto Fie, Márquez; Kenya Photography: Javier Morón AMC Sound: Diseño sonoro: Matías Barberis, Sonido directo: Toño Diego Music: Yolihuani Curiel y Fernando Arias, Orozco; Sofía, Fesway Cast:Johana Fragoso Blendl, Azul Magaña Muñiz, Martha Claudia Moreno y Mauricio Isaac, Raúl Briones, Arreola; Enrique, del Carmen; Mónica Art direction: Lorenza Manrique Mansour Participation year at FICM: 2018
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
