2018 | Color | 88:00 After getting out of jail, where she learned to care for the sick, Alma, an albino woman, is determined to recover at any cost something much more important than her own freedom. In order to do so, Alma must spend her nights taking care of Clemente (a hypochondriac compulsively obsessed with avoiding sudden death). Their relationship moves through suspicion, fear and compassion to tenderness and love. Direction: Márquez Alkadef Cortés ; Martha Kenya Script: Márquez; Kenya, Suárez Romero; Alfonso Production: Iliana Reyes Chávez Producción ejecutiva: Araceli Velázquez Producción asociada: Roberto Fie, Márquez; Kenya Photography: Javier Morón AMC Sound: Diseño sonoro: Matías Barberis, Sonido directo: Toño Diego Music: Yolihuani Curiel y Fernando Arias, Orozco; Sofía, Fesway Cast:Johana Fragoso Blendl, Azul Magaña Muñiz, Martha Claudia Moreno y Mauricio Isaac, Raúl Briones, Arreola; Enrique, del Carmen; Mónica Art direction: Lorenza Manrique Mansour Participation year at FICM: 2018
2018 | Color | 88:00 After getting out of jail, where she learned to care for the sick, Alma, an albino woman, is determined to recover at any cost something much more important than her own freedom. In order to do so, Alma must spend her nights taking care of Clemente (a hypochondriac compulsively obsessed with avoiding sudden death). Their relationship moves through suspicion, fear and compassion to tenderness and love. Direction: Márquez Alkadef Cortés ; Martha Kenya Script: Márquez; Kenya, Suárez Romero; Alfonso Production: Iliana Reyes Chávez Producción ejecutiva: Araceli Velázquez Producción asociada: Roberto Fie, Márquez; Kenya Photography: Javier Morón AMC Sound: Diseño sonoro: Matías Barberis, Sonido directo: Toño Diego Music: Yolihuani Curiel y Fernando Arias, Orozco; Sofía, Fesway Cast:Johana Fragoso Blendl, Azul Magaña Muñiz, Martha Claudia Moreno y Mauricio Isaac, Raúl Briones, Arreola; Enrique, del Carmen; Mónica Art direction: Lorenza Manrique Mansour Participation year at FICM: 2018
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25
“The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25
64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
