2011 | Color | 90 min Two fans obsessed by the main character of the cult-film Alucarda, search and find the film´s Director, Juan Lopez Moctezuma, in a Mental Hospital. They took him out of it for a few days and put him all his films, which made him come out of his temporal illness. Two months later, JLM dies, and the fans are notified that they have inherited the Director’s whole work. Everything is real and verifiable. Country: México Direction: Guzmán; Ulises Script: Guzmán; Ulises, Campos; Edna Production: Guzmán; Ulises, Campos; Edna Photography: Martínez Ramírez; David, Nevado Hernández; Miguel, Lara; Pavel, Cohen; Diego, Martínez Hernández; David, Rodil; Axel, de La Rosa; Arturo, Guzmán; Ulises Sound: Romero; Gabriela, Monroy; Sofía Cast:Durán; Manuel, Mondragón; Eduardo, Romano; Luis, Olivares; Óscar, Mason; Christina, Colombo; Juan Carlos, Mateos; Mikel, Castillo; David, Figueroa; Claudia
2011 | Color | 90 min Two fans obsessed by the main character of the cult-film Alucarda, search and find the film´s Director, Juan Lopez Moctezuma, in a Mental Hospital. They took him out of it for a few days and put him all his films, which made him come out of his temporal illness. Two months later, JLM dies, and the fans are notified that they have inherited the Director’s whole work. Everything is real and verifiable. Country: México Direction: Guzmán; Ulises Script: Guzmán; Ulises, Campos; Edna Production: Guzmán; Ulises, Campos; Edna Photography: Martínez Ramírez; David, Nevado Hernández; Miguel, Lara; Pavel, Cohen; Diego, Martínez Hernández; David, Rodil; Axel, de La Rosa; Arturo, Guzmán; Ulises Sound: Romero; Gabriela, Monroy; Sofía Cast:Durán; Manuel, Mondragón; Eduardo, Romano; Luis, Olivares; Óscar, Mason; Christina, Colombo; Juan Carlos, Mateos; Mikel, Castillo; David, Figueroa; Claudia
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
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El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
