2015 | Color | 14:13 Ulises reunites with Rodrigo to bury a secret, the weapon that involves both of them to the death of his friend Mayo. The two embark on a journey where they will face their deepest demons and in the end only Rodrigo manages to achieve freedom. Country: México Direction: Cataño Elizondo; Diego Script: Cataño Elizondo; Diego Production: Villavicencio; Juan Pablo, Cataño; Sergio, Cataño Elizondo; Diego Photography: Tejeda; María, Soler; Leá, Carrillo; Aaron Yahir Sound: Zarazúa; Ulises Music: Saad; Shantal, Grillesca; Rodrigo, Zarazúa; Ulises, Tejeda; María Cast:Rivas; Manuel, Azuela; Rodrigo, Elizondo; Mariana Art direction: Schneider; Ursula Participation year at FICM: 2015
2015 | Color | 14:13 Ulises reunites with Rodrigo to bury a secret, the weapon that involves both of them to the death of his friend Mayo. The two embark on a journey where they will face their deepest demons and in the end only Rodrigo manages to achieve freedom. Country: México Direction: Cataño Elizondo; Diego Script: Cataño Elizondo; Diego Production: Villavicencio; Juan Pablo, Cataño; Sergio, Cataño Elizondo; Diego Photography: Tejeda; María, Soler; Leá, Carrillo; Aaron Yahir Sound: Zarazúa; Ulises Music: Saad; Shantal, Grillesca; Rodrigo, Zarazúa; Ulises, Tejeda; María Cast:Rivas; Manuel, Azuela; Rodrigo, Elizondo; Mariana Art direction: Schneider; Ursula Participation year at FICM: 2015
Pigs Stella and Julian are two young dysfunctional in a sick relationship. The story takes place in Mexico City where both shall fall into an obsessive, violent and endless tunnel, to confront the deepest fears that each of them has. Pigs is the metaphor that circulates as a conceptual and narrative line throughout the story, as a symbol of who they are. It is a metaphor of failed love. See More
Sunday They say that if you break a mirror, you’ll have seven years of bad luck. The only way to reverse the damage is to pour water on the shards. See More
Williams S. Burroughs: his passagge through Mexico and the movies 09 · 03 · 26 ALL THAT'S LEFT OF YOU: Cherien Dabis on Creation in Times of Destruction 08 · 27 · 26 Yasujirō Ozu: Always the same film? 08 · 19 · 26 Upon the death of Manolo Solo (1964-2026) and CLOSE YOUR EYES 08 · 06 · 26
