2022 | B/N | 120:00 For years, the Solé family has spent summers picking peaches in their orchard in Alcarràs, a small town in the Catalonia region. This year’s crop may well be their last, as they face eviction. New plans for the land, which include cutting down the peach trees and installing solar panels, cause a rift in this large, tight-knit family. For the first time, they face an uncertain future and the risk of losing even more than their orchard Country: España, Italia Direction: Simón; Carla Script: Simón; Carla, Vilaró; Arnau Production: Zamora; María, Schmitz; Stefan, Folguera; Tono, Moreno; Sergi, Pompili; Giovanni Photography: Cajías; Daniela Sound: Giorgi; Thomas , Valiño; Eva Music: Koch; Andrea Cast:Pujol Dolcet; Jordi, Otin; Anna, Roset; Xènia, Bosch; Albert, Jounou; Ainet, Abad; Josep, Oró; Montse, Cabós; Carles, Pipó; Berta Participation year at FICM: 2022
2022 | B/N | 120:00 For years, the Solé family has spent summers picking peaches in their orchard in Alcarràs, a small town in the Catalonia region. This year’s crop may well be their last, as they face eviction. New plans for the land, which include cutting down the peach trees and installing solar panels, cause a rift in this large, tight-knit family. For the first time, they face an uncertain future and the risk of losing even more than their orchard Country: España, Italia Direction: Simón; Carla Script: Simón; Carla, Vilaró; Arnau Production: Zamora; María, Schmitz; Stefan, Folguera; Tono, Moreno; Sergi, Pompili; Giovanni Photography: Cajías; Daniela Sound: Giorgi; Thomas , Valiño; Eva Music: Koch; Andrea Cast:Pujol Dolcet; Jordi, Otin; Anna, Roset; Xènia, Bosch; Albert, Jounou; Ainet, Abad; Josep, Oró; Montse, Cabós; Carles, Pipó; Berta Participation year at FICM: 2022
Summer 1993 After her mother’s death, six-year-old Frida is sent to live with her uncle’s family in the countryside. But Frida struggles to forget her mother and adjust to her new life. See More
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El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24