2019 | Color | 15:40 Salvador, a gay Mexican elder who has lost his partner of 15 years, calls his partner's estranged son, Anthony, to tell him of his father's passing. Unaware of their relationship, Anthony travels from Chicago to a small rural town in Mexico to attend his father's funeral. As family secrets are exposed, identities and perceptions are challenged. Direction: Caballero; Miguel Angel Script: Caballero; Miguel Angel Production: Aldana; Luis, Caballero; Miguel Angel Photography: Narvaez; Philip Alexander Sound: Jurkovic; Mladan Music: Revell; Robert J. Cast:Ponce; Matias, Aldana; Luis, López; Sal Art direction: Sayavendra; Xiomara Participation year at FICM: 2019
2019 | Color | 15:40 Salvador, a gay Mexican elder who has lost his partner of 15 years, calls his partner's estranged son, Anthony, to tell him of his father's passing. Unaware of their relationship, Anthony travels from Chicago to a small rural town in Mexico to attend his father's funeral. As family secrets are exposed, identities and perceptions are challenged. Direction: Caballero; Miguel Angel Script: Caballero; Miguel Angel Production: Aldana; Luis, Caballero; Miguel Angel Photography: Narvaez; Philip Alexander Sound: Jurkovic; Mladan Music: Revell; Robert J. Cast:Ponce; Matias, Aldana; Luis, López; Sal Art direction: Sayavendra; Xiomara Participation year at FICM: 2019
The Ballad of Tita and the Machines When Tita, an elderly fieldworker, reluctantly hires an AI humanoid to fill in for her picking strawberries, she attracts the engineers' attention because their humanoids cannot do her back-breaking work. See More
The Morelia International Film Festival Reveals the Program for its 23rd Edition 09 · 04 · 25 Eusebio Poncela (1945-2025): LAW OF DESIRE and RAPTURE 08 · 28 · 25 Impulso Morelia 11 Announces Its Selection and International Experts’ Panel 08 · 26 · 25 The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25
