2019 | Color | 15:40 Salvador, a gay Mexican elder who has lost his partner of 15 years, calls his partner's estranged son, Anthony, to tell him of his father's passing. Unaware of their relationship, Anthony travels from Chicago to a small rural town in Mexico to attend his father's funeral. As family secrets are exposed, identities and perceptions are challenged. Direction: Caballero; Miguel Angel Script: Caballero; Miguel Angel Production: Aldana; Luis, Caballero; Miguel Angel Photography: Narvaez; Philip Alexander Sound: Jurkovic; Mladan Music: Revell; Robert J. Cast:Ponce; Matias, Aldana; Luis, López; Sal Art direction: Sayavendra; Xiomara Participation year at FICM: 2019
2019 | Color | 15:40 Salvador, a gay Mexican elder who has lost his partner of 15 years, calls his partner's estranged son, Anthony, to tell him of his father's passing. Unaware of their relationship, Anthony travels from Chicago to a small rural town in Mexico to attend his father's funeral. As family secrets are exposed, identities and perceptions are challenged. Direction: Caballero; Miguel Angel Script: Caballero; Miguel Angel Production: Aldana; Luis, Caballero; Miguel Angel Photography: Narvaez; Philip Alexander Sound: Jurkovic; Mladan Music: Revell; Robert J. Cast:Ponce; Matias, Aldana; Luis, López; Sal Art direction: Sayavendra; Xiomara Participation year at FICM: 2019
The Ballad of Tita and the Machines When Tita, an elderly fieldworker, reluctantly hires an AI humanoid to fill in for her picking strawberries, she attracts the engineers' attention because their humanoids cannot do her back-breaking work. See More
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Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
