2019 | Color | 15:40 Salvador, a gay Mexican elder who has lost his partner of 15 years, calls his partner's estranged son, Anthony, to tell him of his father's passing. Unaware of their relationship, Anthony travels from Chicago to a small rural town in Mexico to attend his father's funeral. As family secrets are exposed, identities and perceptions are challenged. Direction: Caballero; Miguel Angel Script: Caballero; Miguel Angel Production: Aldana; Luis, Caballero; Miguel Angel Photography: Narvaez; Philip Alexander Sound: Jurkovic; Mladan Music: Revell; Robert J. Cast:Ponce; Matias, Aldana; Luis, López; Sal Art direction: Sayavendra; Xiomara Participation year at FICM: 2019
2019 | Color | 15:40 Salvador, a gay Mexican elder who has lost his partner of 15 years, calls his partner's estranged son, Anthony, to tell him of his father's passing. Unaware of their relationship, Anthony travels from Chicago to a small rural town in Mexico to attend his father's funeral. As family secrets are exposed, identities and perceptions are challenged. Direction: Caballero; Miguel Angel Script: Caballero; Miguel Angel Production: Aldana; Luis, Caballero; Miguel Angel Photography: Narvaez; Philip Alexander Sound: Jurkovic; Mladan Music: Revell; Robert J. Cast:Ponce; Matias, Aldana; Luis, López; Sal Art direction: Sayavendra; Xiomara Participation year at FICM: 2019
The Ballad of Tita and the Machines When Tita, an elderly fieldworker, reluctantly hires an AI humanoid to fill in for her picking strawberries, she attracts the engineers' attention because their humanoids cannot do her back-breaking work. See More
Farewell Laurent Cantet: two of his early films 05 · 02 · 24 El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
